The Green Dream

"Jojen's eyes were the color of moss, and sometimes when he looked at you he seemed to be seeing something else. Like now. "I dreamed of a winged wolf bound to earth with grey stone chains," he said. "It was a green dream, so I knew it was true. A crow was trying to peck through the chains, but the stone was too hard and his beak could only chip at them."
"Did the crow have three eyes?"
Jojen nodded." -
from A Clash of Kings by George R.R. Martin

Several months ago Deb Freytag over at Fantasy Flight games reached out with a job that was too fun to refuse. She wanted a card for the upcoming Game of Thrones expansion but different from the usual art they commission. This was meant to depict a dream and so she needed a more dreamlike style and said that it seemed like a good fit for me. I couldn't pass up the chance to put what I've been exploring in my personal work into an illustration for one of my favorite series so of course I said yes. This ended up being one of the most enjoyable projects I've done with Fantasy Flight to date. I'm very grateful for Deb keeping my work in mind for such a project and giving me the chance to stretch this style into an illustration. I really enjoyed working on this piece and am excited to be able to share it now!

Below are some thumbnails and color studies for the piece. Since I knew the window in the card was going to be an oval, I tried to design the movement within the illustration to fit the shape. It was also fun experimenting with some dreamy color palettes I don't usually get to try in this context. 

The Minotaur


The Minotaur
Oil on board
16 x 20

A while ago I was invited to contribute a piece to the first volume of the Fantasy Illustration Library by Michael Publishing.This high end art book will explore mythology from all over the globe with hundreds of new works of art. Not only was I thrilled to join the ranks of over 100 terrific artists (such as Donato Giancola and Michael C. Hayes) and but it gave me the opportunity to explore a character that I've been wanting to paint for a long time: The Minotaur.

Excerpt from the book:

I’ve always been drawn to stories involving labyrinths so naturally I love the Minotaur myth. I feel empathy toward the Minotaur. I see him as an innocent suffering for the sins of his parents and the whims of the gods. His story is usually overshadowed by the hero tale of Theseus where he is the lowly monster at the center of the maze to be defeated. However, the Minotaur is half human and was raised briefly with his human family so couldn’t have been all beast when he was imprisoned in Daedalus’ Labyrinth.  I imagined him as a king over a lonely domain. His human half craved beauty and so he taught himself to carve to pass the time. Many hours were counted in spirals carved into the stone and the walls became covered in years as he made his prison beautiful.

I spent some extra time getting reference for this piece since I knew I wanted the lighting to be very atmospheric and was dealing with some uncharted territory in the anatomy and some of the architecture ideas. Getting a good model (the amazing Dennis!) and taking a quick hour to build a small maquette and light it made all the difference.


One of many pages of thumbnails
One of many photos of Dennis from the photoshoot

Clay model approx 6 inches high



Some preliminary studies to prep for drawing
Preliminary Charcoal drawing
16 x 20
Digital color study

Final

Neil deGrasse Tyson


charcoal/digital
Neil deGrasse Tyson is simply one of my favorite human beings. The joy, passion and eloquence with which he discusses (and defends) science and astrophysics makes me grateful we share stardust. I've had this charcoal drawing floating around for a bit and decided I needed to toss some pixels onto it and share.

I am so so SO excited for his sequel to Carl Sagan's Cosmos next year:


(if you don't get chills watching this, we can't be friends)

The Frog Queen's Revenge

Earlier this year Jim Burke asked me to contribute a piece to the Dellas Graphics Frogfolio. If you've never heard of it, basically it's a calendar featuring all frog-themed illustrations. Some of my favorite artists have been included in this showcase (Victo Ngai, Sam Weber, Yuko Shimizu, the list goes on. Leigh Guldig did the cover illustration) and I was thrilled  to be asked.

Almost immediately I knew I wanted to do something around the old Brothers Grimm story of the Frog Prince (read here if unfamiliar). I never really liked the princess in this story- she's sort of a brat. I thought, what is the story that isn't getting told here? With this seed planted and many sketches later, I discovered what I wanted to do: a sequel.

Because I create better when I have a solid story, I kept  fleshing out details of the sequel in my head as I worked out the image.  I realized I quite liked this character. I not only wanted to paint her, I wanted to tell her whole story. So after I finished the painting,  I sat down and wrote it out.

So here you are: a brand new painting and some Grimm Brothers fan-fiction to go along. I hope you like it! There are some notes on the process at the end.

16 x 20
oil on panel

The Frog Queen’s Revenge
by Kristina Carroll

When the large, ugly frog that had followed the little Princess up from the forest turned out to be an enchanted Prince, the Kingdom rejoiced. What a handsome Prince! What a rich kingdom he’s from! What a lucky girl to break the spell! There were lavish feasts and colorful parades. The well in the dark forest behind the castle where the frog had lived was even given a shiny bronze plaque.

 The King had been especially pleased. The Princess may have been a bit too young to marry, but she was near enough. It was no secret that the Kingdom was no longer rich and the King had very little to offer in the way of dowries. The chance to send the girl off with just a small corner of land and a new, powerful family member was more than he could have ever hoped for. Thank goodness for witches! He’d thought. The bond that comes from spell breaking was sacred and absolute. Though the Princess was already quite beautiful for one so young with golden hair and a rosy mouth, beauty did not win wars or pay for roads. The King knew that all too well. Breaking the Prince’s enchantment was the only way the little Princess could have ever made such a rich and powerful match.  The King now thanked the good fortune that had led the Frog to their castle that night.
At first, when the slimy thing knocked on the door of the castle saying the Princess had made a deal with it, the King had been red with anger and beat the Princess. She tearfully admitted to going down to the well to play with her favorite toy: a little golden ball that had belonged to her mother. She’d been playing too close to the edge, peering down into its depths, when suddenly the frog jumped out at her. Startled, she dropped the ball and watched it disappear into the darkness.  The Princess thought of how angry her father would be at her losing the precious toy and was frightened. She could only say yes when the frog offered to retrieve her ball in exchange for a promise to bring it to the castle as her companion. However, when it returned and she was faced with carrying the ugly creature back, she grew scared and ran away.
                 Normally the King would have simply stepped on such a disgusting thing, talking or not, if it came knocking on the door claiming a debt owed. However, the King thought it a very clever punishment to make the frog eat from the girl’s plate and then send it off to bed with her. She was clearly repulsed by it.
                “When you are so careless that you need to enlist the aid of slimy creatures that crawl upon the ground, you have earned no better than to share your bed with them.” The King growled as the Princess sat weeping on the stone floor and wiping a bleeding lip.  “We are royalty, child! The source of our power defines us!”

Clearly fortune had rewarded the King’s wisdom and good sense. He never did ask exactly how the spell had been broken, he didn’t care. All that mattered was that the Princess was gone to be wed in the far off kingdom and he’d already received a very generous gift of fine silks from the Prince that he could begin trading.

◊◊◊

When the young Princess arrived in the Frog’s kingdom, (for in her mind, he would always be The Frog) she was terrified. The customs, language, dress and even the weather were all alien to her. She was utterly alone apart from an old, one-eyed handmaid that was given to her. And when her wedding came, she spent the first of many nights silently sobbing on her side of their bed.

The Frog may have changed his form, but it was soon clear he was still slimy and was not kind. His father, the old King, was blind and useless so the Frog Prince was ruler in all but name and wielded his power cruelly. She wished she could once again throw him against the wall of her bedchamber like she did that first night he’d crawled, slippery and cold, into bed with her. She fantasized about the violence turning him back into the little wet creature and then ripping off his legs to be fried for her supper. (The Princess had found a delicious irony that frog legs were actually a delicacy in this Kingdom and ate them whenever she could.)

                When the Princess woke one cold, winter morning with red on her sheets, she was certain she was dying. She sat shivering and horrified as her old handmaid explained what was happening and what it meant.
                “Don’t be afraid, little bird.” The handmaid had said with a soft voice and a spark in her good eye as she stroked the girl’s hair. ‘Little Bird’ was the handmaid’s nick-name for the Princess: ‘Because all Princesses are little birds: pretty things in pretty cages.’  She was old and strange and spoke in riddles most of the time, but she had helped the Princess learn the ways of the kingdom and was the closest thing the girl had to a friend.  The Princess had asked the handmaid once how she lost her eye, but the old woman had just smiled.
                “Don’t be afraid,” the handmaid repeated, “for now the little bird has the power of life. This is a very strong power and it is only for the little birds. ”
                The Princess didn’t fully understand what the old handmaid had meant but for some reason her father’s words came back to her then: The source of our power defines us.

This secret could not be kept from the Frog and he became gentler for a time. Yet when the seasons came around to winter again and her belly still did not swell, he grew colder. Then the Frog’s old, blind father died. The Frog Prince and Princess were to become Frog King and Queen soon.  Finally the Frog turned from cold to hot with anger.  He came to the Princess’s chambers one day in a rage and threw her to the floor. He told her that spell-breaker or not, if she would not give him a son, he would have her thrown in the dungeons and forgotten.
    After the Frog left, the old handmaid helped the Princess rise off the stones. The girl looked through unshed tears at a canary in its elaborate gilded cage, a gift from her handmaid. It was still flitting around in agitation from the excitement.
                 “Grandmother…” The Princess began, using the endearment she had adopted for her handmaid in private, “Little birds have the power of life, it’s true. Our canary here has had many chicks. But do they not also have sharp beaks? I still have a scar on my hand from when I tried to take out one of her eggs to look at.”
                At this, the corner of the handmaid’s mouth turned up a bit and with a strange glint in her eye she took the Princess’s hands in her own. She looked very hard at the Princess for a long time, until the girl grew afraid. When she tried to break away, the old woman’s grip was iron.
                “Yes. You are ready I think.” The handmaid said finally. Then she began to tell a story. The Princess’s eyes grew wide first in surprise, then fear and finally, hunger.

                The handmaid told of a Prince who was spoiled and cruel. He liked to torment the servants, especially the girls. When a particular young handmaid fought back, scratching his face, he had one of his soldiers hold her down while he cut out one of her eyes with a knife. He kept the eye in an amulet around his neck as a warning to anyone else who might defy him. However, the young handmaid only grew strong in her anger and so she sought out a witch to teach her of those secret magics known only to women. Many years she practiced and grew more powerful just as the Prince grew crueler. When finally it was time for the Prince to choose a wife, the handmaid was ready with her magic and cast an enchantment.  The Prince chose a Princess, beautiful and rich, from a far off kingdom. However, when he took his new wife to their bedchamber on their wedding night and closed the door; she suddenly turned into a rotting corpse. His screaming brought the guards but as soon as others were beholding the girl, she turned beautiful again.  Certain of some dark magic, he had his wife thrown in the dungeon and married again. Once more, as soon as he took his new wife to their bedchamber, she turned into a corpse. He kept trying, but every new girl, while lovely in anyone else’s presence, became rotting and putrid as soon as they were alone. At last the madness and humiliation drove him to a fit of desperation. The Prince took his knife and cut out his own eyes, breaking the spell. Finally he was able to bed his newest wife, who was plain and not from a rich Kingdom but kind and wise. When the Prince’s father died and they became King and Queen, she became the power behind the throne. She ordered all his previous wives released from the dungeons and returned to their homes. Next to the King, she ruled the kingdom well for many years.

                “Unfortunately she died giving birth to their only child. A boy. Without the Queen, the old cruelty passed from father to son and I saw the pattern repeating itself. The Prince liked to torture small creatures so I decided to turn him into one of them. The spell would not be broken until a Princess made him feel as helpless as the little things he tormented. I had hoped it would teach him a lesson, but perhaps even my power wasn’t strong enough in his case.”
                The handmaid ended her story and released the Princess’s hands. The girl stared hard at the floor for several long minutes and then straightened her back and raised her chin.
                “You will teach me.” It was not a question.
    The old handmaid looked at the Princess for a long time. Then she smiled.

◊◊◊

                Years after the young King mysteriously disappeared, supposedly on some crusade or another; the land had grown fruitful and prosperous under the Queen’s rule.  Although she may have been a bit young to be Queen, she was wise and no one missed the cruel King. Still, tales began spreading to other Kingdoms about the wealth to be found in the Kingless land, tempting those who thought to claim it.  Though many armies marched, and many suitors came, the Queen turned aside every last challenge to her power.

                 There were whispers of witchcraft, but they never became louder than whispers. The Kingdom loved the Queen and only grew richer under her rule and so, Witch or not, the people would not speak against her.
                However, the Queen did have one particular strangeness that kept the whispers from dying out completely. More than the lavish balls, the string of lovers, the eccentric fashions, it was her crown that kept the hushed rumors going.
                After the King had disappeared and she took his throne, the Queen decided that she needed a new symbol for her power as ruler.  She took an elaborate gilded cage and had it fashioned to sit comfortably on her head. It towered above her in a dance of sparkling ornament and delicate bars. Still, it was not so much the new crown itself that was unusual. It was the other thing.

                For always inside the cage, contrasting with the beautiful craftsmanship, it sat.  Looking out dolefully from two wet, yellow eyes and occasionally giving a half-hearted croak was a very large, very ugly frog.


 ◊ The End 



Preliminary Drawing
Pencil on Paper

Below is one of my early concepts that I started mocking up digitally. I really liked it but worried that the full body composition would make the frog too small. It was important he got noticed.


Some thumbnails and quick value study:



I love high fashion and try to steal from it whenever I can. Tex Saverio and Alexander McQueen are two of my favorite designers. They provided a lot of inspiration for this piece.

Tex Saverio
Alexander McQueen
Photo by Scott Bakal

It's Halloween in July! A song and a drawing.

So one of my best friends, Lucy, who is a very skilled musician (fun fact: she is also one of the three "Wyrds") has been doing this extraordinary weekly song-writing challenge through the Ignition Lab. I've been watching with delight as every week she writes, composes and records a new song, with a new baby no less! This week was especially fun, as she got to write about one of her favorite subjects: Halloween.

It was also fun because she had an image floating in her head during the process so decided that she needed some art to go with the music. She got in touch with me and commissioned a quick Medusa sketch to go along with the song. I hadn't even heard the song yet, but on Sunday I sat down  with my charcoal, then my wacom and came up with this:
Medusa
Charcoal and Digital
And today I got to hear Lucy's song for the first time! It is fun and catchy and you should go listen too:


See all of Lucy's and the other Ignition Lab ladies ' videos here.

Pond Ghost drawing


This idea sprung from a random abstract thumbnail I did in my sketchbook several months back. I'd begun the drawing right after, then it got pushed aside for other projects for a long time. I started it up again recently with the lofty idea that I might make it a painting for Spectrum Live, but it wasn't to be so.


Looking back at the thumbnail, I might change the figure a little bit to bring back some of the original shapes, and I am on the fence whether to light the candle or keep it smoking. But I like the overall feel of it, and look forward to moving into the paint.

EDIT: Went back into it and changed it up some. I think this has a little more going for it:

New painting for Lincoln Arts Project show

Oil on 16 x 20 cradle board

One of Scott's former students, Pat Falco, and his friend Elliot Anderson have started a gallery in Boston. Their goal  is to bring quality, new art in from  young artists around the city into areas that might not normally see it. The resulting Lincoln Art Project Gallery has already hosted some unique shows including a showcase of concept  artists from Harmonix and a Type show.  When Scott and I heard about their plans to do an 'artist couples' show for Valentines day, we couldn't resist and thought it would be fun to create some portraits of each other for the show. I decided make Scott into a symbolist image about the relationship between artist and creative urge.


charcoal drawing and beginning washes of color 

Scott did a fantastic portrait of me looking very confident with my painting attire and, best of all, surrounded by books. It's a stunning graphic piece and I love that he sees me this way:


acrylic and pen on 16 x 20 cradle board

You can read Scott's blog about the process here.

And some press about the show, in which we are interviewed with some of the other artists, in the Weekly Dig here.

'Match'  at Lincoln Arts Project Gallery

Show Dates: February 8 - March 10

RECEPTION: Friday February 10, 7-10 PM

Gallery Hours: Wed - Fri 4-9 PM, Sat 2-8 PM or by appointment.

Cover Illustration for Realms of Fantasy




I am very pleased to announce that my art will be featured on the cover of the August '11 issue of Realms of Fantasy! This is my second time working with Doug Cohen and RoF, and it was once again a pleasure. One of my favorite things about working with them is their philosophy of creative freedom. It is a very rare thing these days for publications and art directors to show so much trust in their artists, and it is a big breath of fresh air to be allowed to really bring a personal voice to a story and feel supported doing it.

Originally this piece was commissioned solely as the interior illustration to a story called Leap of Faith by Alan Smale. The story had a lot of themes that really appealed to me: archaic biblical gods, the imperfection of creation, flawed industrialization. It brought together very separate historical elements that you wouldn't expect to see together in one world, and it was a fun challenge to bring them together. I did pages of thumbnails but eventually narrowed down what I wanted to a scene with the main character and Smale's incarnation of the Lilith 'demon'.



I played with the composition and size relationships a bit but decided the first two felt a little too "Night on Bald Mountain' for me. The last had the best movement and hinted at a more communal relationship between the characters. Plus the view of a vast ruined industrial landscape from a place of height tied in better with the story theme for me.

Progress shot of mostly under painting.



The final piece!



Now you may have noticed a slight difference in my final piece and the one appearing on the cover. That's because when it was just an interior, the presentation of the Lilith's 'femininity' was still ambiguous enough not to be worrisome. There was no blatant nudity after all. However, when Doug started talking about using it for the cover, there was then the question of how ambiguous is not ambiguous enough for the general public. While Doug and I both loved the piece how it was, I didn't think a little edit for peace of mind would do anything to its integrity and a few more appropriately placed feathers did the trick. Et Voila!



I can't wait to see the cover all shiny and in person!

Grayson

About a year ago, I met Andrea in Prospect Park while we were walking our dogs. We got to talking and the subject came around to art. When I mentioned I paint, she became interested and so I handed her my postcard. She started telling me about how she'd always wanted to have a more unconventional portrait of her son, Grayson, done with a sort of sci-fi setting and my style fit the bill. After several conversations, she hired me to do the portrait as a gift for her husband. I was a little nervous, having never painted anyone under 18 before. Luckily Grayson was a real character and kept us smiling during the photoshoot:



I'd done a few sketches for composition - Andrea liked the idea of Grayson in front of a window looking out on a otherworldly landscape, but she didn't want it too over the top. The image on the right was closest but she was looking for something simpler.



Then during the photoshoot we had one of those happy accidents where on a break, Grayson threw his hand over the back of the chair and I took some shots. It ended up being just the right pose for his personality and Andrea agreed this would be a great image to work around. She even wanted to keep the watch in. I created the drawing:



And after approval, the painting:



It's no secret that I love painting portraits, and getting the opportunity to bring portraiture and my affinity for fiction together made this a great job. We all ended up happy with how this one turned out- and no doubt it will be the most memorable Christmas present this year!

ArtOrder article, some drawings and some news

Hello folks!

I am excited to share my first ever foray into semi-semi-pro writing. Jon Schindehette over at his ArtOrder blog recently put out a call for guest writers to help lighten his workload and I decided to respond. You can see the results Here:

http://artorder.blogspot.com/2010/04/guest-writer-kristina-carroll.html

Please go check it out and let me know what you think! I had a wonderful time writing it.

And now it's time to share a few new pieces I'm working on:

Eve


This piece is for a show going up in May: Replanting the Garden. All pieces are works that were inspired by Heironymous Bosch's Garden of Earthly Delight's. I wanted to try something different so I chose a very simple and quiet composition of Eve taming the snake. The curator is the same man who commissioned my Richard portrait for his show at the Shelburne Museum so I think this is going to be a good one. I also quite like the color studies I did for the piece:



You'll have to wait until the painting's finished to see which one I chose. Lastly is a drawing I am very excited to start painting:

Merlin


Very much inspired by the charcoal drawings of Charles Vess. I haven't done a nice, woodsy scene in a while and I am really looking forward to it.

Lastly I am very pleased to announce that the aforementioned Richard painting has been accepted into this year's Spectrum annual!



This is such a huge honor, and I still can't quite believe that I got in.

Read what Richard Saja, the curator, had to say about the piece in his show here:

http://mrpeacockstyle.blogspot.com/2009/10/chat-with-historically-inaccurate.html

Last, but not least, Marc Scheff posted a lovely review of my Zebrulu piece on his blog:

http://www.marcscheff.com/some-favorites

Go check them out!

Rust drawing

"A sword, a spade, and a thought should never be allowed to rust"
~ James Stephens
Irish poet and storyteller, 1882-1950



This is my Charcoal drawing for the latest ArtOrder challenge, which was to create an illustration from the above quote. I LOVE these sorts of challenges because they demand that you think outside the box. I knew immediately that the first rule for this piece was to avoid swords and spades as imagery. I thought about it for a while and then, randomly, picked up my favorite book The Neverending Story and opened up to the chapter I was currently re-reading. (I have plans for this book, but in the words of Ende "That's another story and shall be told another time.") Anyways one of the characters has an army of metal giants that she controls with her will. Towards the end, when her evil plans have been thwarted, she looses all control of these giants because her will no longer has a purpose and they kill her. I thought, 'well this is all just too serendipitous'.

"They were puzzled, because they knew it was Xayide's will alone that had moved the hollow giants. So, they thought, it must have been her will that they should trample her to death."

The giants are the personification of Xayide's twisted thoughts and desires. But because all her plans involve manipulation and power, her thoughts are hollow and they prove to be her undoing.

"For years the hollow, black-metal giants stood motionless on the heath not far from the City of the Old Emperors. Rain and snow fell on them, they rusted and little by little sank into the ground, some vertically, some at a slant. But to this day a few of them can be seen."

Now onto the paint!

Gandalf!

So I've been working several things: one of which is a Gandalf portrait and thought I would share it in its "sketch" stage.



I tried a different way of working this one- just using some photo reference, and sketching first with a blue pencil and then with raw umber directly on a gessoed panel. There's something lovely about the freedem this warrants- much like drawing with charcoal. It's got some colors on it now, and perhaps I will share another progress shot soon.

Back to the easel!

More Amanda Palmer, Queens and faces

Ok, ok. So it's definitely been too long since my last post. I will try to make this one count! I've been doing a lot of work for Shadowrun, none of which I can show you of course. But I can show you some of the side projects I've been working on in between.

First off a couple more tiny portraits. Here are Mark and Valya:

These two were a lovely couple and I really enjoyed working from several pictures of their beautiful family. I tried to capture the most striking emotion that both portrayed in their images. Mark definitely struck me as a thoughtful, far-looking person and Valya had a smile that I knew would be infectious in person.

Next is a little private commission work in progress I've been on for a bit. The Queen of Hearts:



Pencil and watercolor.

And finally, the piece I have been working on for the Amanda Palmer Tarot deck. The Seven of Wands with inspiration drawn from Amanda's song, "Astronaut":



I really do love working in charcoal. The flexibility and texture allow for so many happy accidents. Such as a random accidental brush turning into the milky way wrapping around a figure.

Richard and his Pet


Here is the preliminary drawing for a painting that will be in a massive group show in May. The curator is having about 25 artists paint him as an albino animal hybrid and is exhibiting them 19th century salon style so I thought a 19th century man was in order. I imagined Richard as a sort of Moreau-style professor with one of his creations. I thought the real question should be was Richard's unique condition a product of his own imagination or is it what inspires him to create similarly hybrid beings.