The Green Dream

"Jojen's eyes were the color of moss, and sometimes when he looked at you he seemed to be seeing something else. Like now. "I dreamed of a winged wolf bound to earth with grey stone chains," he said. "It was a green dream, so I knew it was true. A crow was trying to peck through the chains, but the stone was too hard and his beak could only chip at them."
"Did the crow have three eyes?"
Jojen nodded." -
from A Clash of Kings by George R.R. Martin

Several months ago Deb Freytag over at Fantasy Flight games reached out with a job that was too fun to refuse. She wanted a card for the upcoming Game of Thrones expansion but different from the usual art they commission. This was meant to depict a dream and so she needed a more dreamlike style and said that it seemed like a good fit for me. I couldn't pass up the chance to put what I've been exploring in my personal work into an illustration for one of my favorite series so of course I said yes. This ended up being one of the most enjoyable projects I've done with Fantasy Flight to date. I'm very grateful for Deb keeping my work in mind for such a project and giving me the chance to stretch this style into an illustration. I really enjoyed working on this piece and am excited to be able to share it now!

Below are some thumbnails and color studies for the piece. Since I knew the window in the card was going to be an oval, I tried to design the movement within the illustration to fit the shape. It was also fun experimenting with some dreamy color palettes I don't usually get to try in this context. 

Figurative Friday 2!

A couple more random figures from the sketchbook. Tilda Swinton inspired study (because Tilda Swinton) and a figure doodle from the imagination that's some sort of cross between the Chiquita banana lady and a jewelry hoarder. 





Figurative Friday!

So in honor of Friday I decided to scan a few random figure sketches from the week to share. These are a mix of figures from reference and figures from my head. Fun tip: do an image search for "parkour" and find lots of cool dynamic action shots to sketch.




The Minotaur


The Minotaur
Oil on board
16 x 20

A while ago I was invited to contribute a piece to the first volume of the Fantasy Illustration Library by Michael Publishing.This high end art book will explore mythology from all over the globe with hundreds of new works of art. Not only was I thrilled to join the ranks of over 100 terrific artists (such as Donato Giancola and Michael C. Hayes) and but it gave me the opportunity to explore a character that I've been wanting to paint for a long time: The Minotaur.

Excerpt from the book:

I’ve always been drawn to stories involving labyrinths so naturally I love the Minotaur myth. I feel empathy toward the Minotaur. I see him as an innocent suffering for the sins of his parents and the whims of the gods. His story is usually overshadowed by the hero tale of Theseus where he is the lowly monster at the center of the maze to be defeated. However, the Minotaur is half human and was raised briefly with his human family so couldn’t have been all beast when he was imprisoned in Daedalus’ Labyrinth.  I imagined him as a king over a lonely domain. His human half craved beauty and so he taught himself to carve to pass the time. Many hours were counted in spirals carved into the stone and the walls became covered in years as he made his prison beautiful.

I spent some extra time getting reference for this piece since I knew I wanted the lighting to be very atmospheric and was dealing with some uncharted territory in the anatomy and some of the architecture ideas. Getting a good model (the amazing Dennis!) and taking a quick hour to build a small maquette and light it made all the difference.


One of many pages of thumbnails
One of many photos of Dennis from the photoshoot

Clay model approx 6 inches high



Some preliminary studies to prep for drawing
Preliminary Charcoal drawing
16 x 20
Digital color study

Final

The Frog Queen's Revenge

Earlier this year Jim Burke asked me to contribute a piece to the Dellas Graphics Frogfolio. If you've never heard of it, basically it's a calendar featuring all frog-themed illustrations. Some of my favorite artists have been included in this showcase (Victo Ngai, Sam Weber, Yuko Shimizu, the list goes on. Leigh Guldig did the cover illustration) and I was thrilled  to be asked.

Almost immediately I knew I wanted to do something around the old Brothers Grimm story of the Frog Prince (read here if unfamiliar). I never really liked the princess in this story- she's sort of a brat. I thought, what is the story that isn't getting told here? With this seed planted and many sketches later, I discovered what I wanted to do: a sequel.

Because I create better when I have a solid story, I kept  fleshing out details of the sequel in my head as I worked out the image.  I realized I quite liked this character. I not only wanted to paint her, I wanted to tell her whole story. So after I finished the painting,  I sat down and wrote it out.

So here you are: a brand new painting and some Grimm Brothers fan-fiction to go along. I hope you like it! There are some notes on the process at the end.

16 x 20
oil on panel

The Frog Queen’s Revenge
by Kristina Carroll

When the large, ugly frog that had followed the little Princess up from the forest turned out to be an enchanted Prince, the Kingdom rejoiced. What a handsome Prince! What a rich kingdom he’s from! What a lucky girl to break the spell! There were lavish feasts and colorful parades. The well in the dark forest behind the castle where the frog had lived was even given a shiny bronze plaque.

 The King had been especially pleased. The Princess may have been a bit too young to marry, but she was near enough. It was no secret that the Kingdom was no longer rich and the King had very little to offer in the way of dowries. The chance to send the girl off with just a small corner of land and a new, powerful family member was more than he could have ever hoped for. Thank goodness for witches! He’d thought. The bond that comes from spell breaking was sacred and absolute. Though the Princess was already quite beautiful for one so young with golden hair and a rosy mouth, beauty did not win wars or pay for roads. The King knew that all too well. Breaking the Prince’s enchantment was the only way the little Princess could have ever made such a rich and powerful match.  The King now thanked the good fortune that had led the Frog to their castle that night.
At first, when the slimy thing knocked on the door of the castle saying the Princess had made a deal with it, the King had been red with anger and beat the Princess. She tearfully admitted to going down to the well to play with her favorite toy: a little golden ball that had belonged to her mother. She’d been playing too close to the edge, peering down into its depths, when suddenly the frog jumped out at her. Startled, she dropped the ball and watched it disappear into the darkness.  The Princess thought of how angry her father would be at her losing the precious toy and was frightened. She could only say yes when the frog offered to retrieve her ball in exchange for a promise to bring it to the castle as her companion. However, when it returned and she was faced with carrying the ugly creature back, she grew scared and ran away.
                 Normally the King would have simply stepped on such a disgusting thing, talking or not, if it came knocking on the door claiming a debt owed. However, the King thought it a very clever punishment to make the frog eat from the girl’s plate and then send it off to bed with her. She was clearly repulsed by it.
                “When you are so careless that you need to enlist the aid of slimy creatures that crawl upon the ground, you have earned no better than to share your bed with them.” The King growled as the Princess sat weeping on the stone floor and wiping a bleeding lip.  “We are royalty, child! The source of our power defines us!”

Clearly fortune had rewarded the King’s wisdom and good sense. He never did ask exactly how the spell had been broken, he didn’t care. All that mattered was that the Princess was gone to be wed in the far off kingdom and he’d already received a very generous gift of fine silks from the Prince that he could begin trading.

◊◊◊

When the young Princess arrived in the Frog’s kingdom, (for in her mind, he would always be The Frog) she was terrified. The customs, language, dress and even the weather were all alien to her. She was utterly alone apart from an old, one-eyed handmaid that was given to her. And when her wedding came, she spent the first of many nights silently sobbing on her side of their bed.

The Frog may have changed his form, but it was soon clear he was still slimy and was not kind. His father, the old King, was blind and useless so the Frog Prince was ruler in all but name and wielded his power cruelly. She wished she could once again throw him against the wall of her bedchamber like she did that first night he’d crawled, slippery and cold, into bed with her. She fantasized about the violence turning him back into the little wet creature and then ripping off his legs to be fried for her supper. (The Princess had found a delicious irony that frog legs were actually a delicacy in this Kingdom and ate them whenever she could.)

                When the Princess woke one cold, winter morning with red on her sheets, she was certain she was dying. She sat shivering and horrified as her old handmaid explained what was happening and what it meant.
                “Don’t be afraid, little bird.” The handmaid had said with a soft voice and a spark in her good eye as she stroked the girl’s hair. ‘Little Bird’ was the handmaid’s nick-name for the Princess: ‘Because all Princesses are little birds: pretty things in pretty cages.’  She was old and strange and spoke in riddles most of the time, but she had helped the Princess learn the ways of the kingdom and was the closest thing the girl had to a friend.  The Princess had asked the handmaid once how she lost her eye, but the old woman had just smiled.
                “Don’t be afraid,” the handmaid repeated, “for now the little bird has the power of life. This is a very strong power and it is only for the little birds. ”
                The Princess didn’t fully understand what the old handmaid had meant but for some reason her father’s words came back to her then: The source of our power defines us.

This secret could not be kept from the Frog and he became gentler for a time. Yet when the seasons came around to winter again and her belly still did not swell, he grew colder. Then the Frog’s old, blind father died. The Frog Prince and Princess were to become Frog King and Queen soon.  Finally the Frog turned from cold to hot with anger.  He came to the Princess’s chambers one day in a rage and threw her to the floor. He told her that spell-breaker or not, if she would not give him a son, he would have her thrown in the dungeons and forgotten.
    After the Frog left, the old handmaid helped the Princess rise off the stones. The girl looked through unshed tears at a canary in its elaborate gilded cage, a gift from her handmaid. It was still flitting around in agitation from the excitement.
                 “Grandmother…” The Princess began, using the endearment she had adopted for her handmaid in private, “Little birds have the power of life, it’s true. Our canary here has had many chicks. But do they not also have sharp beaks? I still have a scar on my hand from when I tried to take out one of her eggs to look at.”
                At this, the corner of the handmaid’s mouth turned up a bit and with a strange glint in her eye she took the Princess’s hands in her own. She looked very hard at the Princess for a long time, until the girl grew afraid. When she tried to break away, the old woman’s grip was iron.
                “Yes. You are ready I think.” The handmaid said finally. Then she began to tell a story. The Princess’s eyes grew wide first in surprise, then fear and finally, hunger.

                The handmaid told of a Prince who was spoiled and cruel. He liked to torment the servants, especially the girls. When a particular young handmaid fought back, scratching his face, he had one of his soldiers hold her down while he cut out one of her eyes with a knife. He kept the eye in an amulet around his neck as a warning to anyone else who might defy him. However, the young handmaid only grew strong in her anger and so she sought out a witch to teach her of those secret magics known only to women. Many years she practiced and grew more powerful just as the Prince grew crueler. When finally it was time for the Prince to choose a wife, the handmaid was ready with her magic and cast an enchantment.  The Prince chose a Princess, beautiful and rich, from a far off kingdom. However, when he took his new wife to their bedchamber on their wedding night and closed the door; she suddenly turned into a rotting corpse. His screaming brought the guards but as soon as others were beholding the girl, she turned beautiful again.  Certain of some dark magic, he had his wife thrown in the dungeon and married again. Once more, as soon as he took his new wife to their bedchamber, she turned into a corpse. He kept trying, but every new girl, while lovely in anyone else’s presence, became rotting and putrid as soon as they were alone. At last the madness and humiliation drove him to a fit of desperation. The Prince took his knife and cut out his own eyes, breaking the spell. Finally he was able to bed his newest wife, who was plain and not from a rich Kingdom but kind and wise. When the Prince’s father died and they became King and Queen, she became the power behind the throne. She ordered all his previous wives released from the dungeons and returned to their homes. Next to the King, she ruled the kingdom well for many years.

                “Unfortunately she died giving birth to their only child. A boy. Without the Queen, the old cruelty passed from father to son and I saw the pattern repeating itself. The Prince liked to torture small creatures so I decided to turn him into one of them. The spell would not be broken until a Princess made him feel as helpless as the little things he tormented. I had hoped it would teach him a lesson, but perhaps even my power wasn’t strong enough in his case.”
                The handmaid ended her story and released the Princess’s hands. The girl stared hard at the floor for several long minutes and then straightened her back and raised her chin.
                “You will teach me.” It was not a question.
    The old handmaid looked at the Princess for a long time. Then she smiled.

◊◊◊

                Years after the young King mysteriously disappeared, supposedly on some crusade or another; the land had grown fruitful and prosperous under the Queen’s rule.  Although she may have been a bit young to be Queen, she was wise and no one missed the cruel King. Still, tales began spreading to other Kingdoms about the wealth to be found in the Kingless land, tempting those who thought to claim it.  Though many armies marched, and many suitors came, the Queen turned aside every last challenge to her power.

                 There were whispers of witchcraft, but they never became louder than whispers. The Kingdom loved the Queen and only grew richer under her rule and so, Witch or not, the people would not speak against her.
                However, the Queen did have one particular strangeness that kept the whispers from dying out completely. More than the lavish balls, the string of lovers, the eccentric fashions, it was her crown that kept the hushed rumors going.
                After the King had disappeared and she took his throne, the Queen decided that she needed a new symbol for her power as ruler.  She took an elaborate gilded cage and had it fashioned to sit comfortably on her head. It towered above her in a dance of sparkling ornament and delicate bars. Still, it was not so much the new crown itself that was unusual. It was the other thing.

                For always inside the cage, contrasting with the beautiful craftsmanship, it sat.  Looking out dolefully from two wet, yellow eyes and occasionally giving a half-hearted croak was a very large, very ugly frog.


 ◊ The End 



Preliminary Drawing
Pencil on Paper

Below is one of my early concepts that I started mocking up digitally. I really liked it but worried that the full body composition would make the frog too small. It was important he got noticed.


Some thumbnails and quick value study:



I love high fashion and try to steal from it whenever I can. Tex Saverio and Alexander McQueen are two of my favorite designers. They provided a lot of inspiration for this piece.

Tex Saverio
Alexander McQueen
Photo by Scott Bakal

Sketchbook Tourist


photo by Irene Gallo
Like most artists, I am rarely to be found without my sketchbook. I try to sketch a little from life every day, especially people. Recently, thanks to some pushing from Scott Bakal, I discovered the joys and challenges of sketching with pen. Right now I'm using a .5 black micron, but will upgrade to a portable fountain pen and/or brush pen soon. Sketching with pen has been a revelation for me, who can noodle and erase for (stupid amounts of time) and still not be happy. Pen sketching builds confidence, accuracy, keener observation and simplification. All skills I really need to improve on because, frankly, I paint way too slow for my liking.


So below is a little compilation from my sketchbook over the last month or so.  We've travelled to Kansas, Florida and New York and found plenty of inspiration.


We watched this guy hunting fish in the shallows for a good
 half hour. The way he moved and struck earned him the
 nick-name, "ninja bird".

Scott and I took a week long "do nothing" trip to Lido Beach in Sarasota, FL. I love beach sketching. Every shape of person is around you with very little on, not standing still and acting natural. To me, it is one of the best places for life drawing practice outside of a studio. Not to mention all the neat wild-life! Egrets, Pelicans, Seagulls and plenty of birds I couldn't name. 

Had a few minutes to kill waiting for the
 train in South station when we got back.
This is one of my favorite pages.



Subway sketching is one of the things I miss most about living in NYC. So many extraordinary people in one place.I can't get enough when I visit.



Scott recently got a fancy new camera and often brings it along on our walks around the neighborhood. This means frequent stops when he sees something interesting and adjusts the settings. I decided to use this as an opportunity to see how much I could capture with VERY little time and ended up having to really push my simplicity.Good art is as much about what you can leave out as put in, so this was a great exercise.




Here are a couple rogue sketches from Spectrum Live that I forgot to add. Superstar AD Mark Chiarello from DC and a quick model sketch from The Art Department's rooftop life-drawing session.

It's Halloween in July! A song and a drawing.

So one of my best friends, Lucy, who is a very skilled musician (fun fact: she is also one of the three "Wyrds") has been doing this extraordinary weekly song-writing challenge through the Ignition Lab. I've been watching with delight as every week she writes, composes and records a new song, with a new baby no less! This week was especially fun, as she got to write about one of her favorite subjects: Halloween.

It was also fun because she had an image floating in her head during the process so decided that she needed some art to go with the music. She got in touch with me and commissioned a quick Medusa sketch to go along with the song. I hadn't even heard the song yet, but on Sunday I sat down  with my charcoal, then my wacom and came up with this:
Medusa
Charcoal and Digital
And today I got to hear Lucy's song for the first time! It is fun and catchy and you should go listen too:


See all of Lucy's and the other Ignition Lab ladies ' videos here.

Spectrum Live sketches

Even though it's already been weeks since Spectrum Live, it is still fresh on my mind. The people I met, the art I saw, the presentations I took pages of notes in... it was 3 days of inspiration packed joy for this little fantasy artist. I am now on vacation but I wanted to share a few sketchbook highlights from the weekend before May fades too much.


Playing around with adding color to a quick plane sketch. I need to get more involved in this sort of experimenting in my sketchbook.


This guy was keeping watch outside our window. How appropriate! I think we all got sketches of him.


Lauren Panepinto- Art Director and master legging wearer.She likes when artists put watermarks on their art for easy locating. Fun fact: Her pinterest is a black hole of awesome that will suck hours from your life and leave you wanting more. 

Watcher of the Bruinen for the LoTR card game



A while back I did this piece for Fantasy Flight games' Lord of the Rings card game. I do love Tolkien, so this was a lot of fun. I did a few color studies because really wanted to push my colors here to get that sense of early morning, as if this guardian has been standing still for a long time. It made me realize how much those help, and started me on a trend of using them regularly. 

I don't believe I will never tire of painting elves.

© 2012 Fantasy Flight Games
10x10 oil and digital
© 2012 Fantasy Flight Games 

Charcoal Portrait: Opening

Been painting away, a few private commissions and lots of personal work. Several of those 'Almost Finished' pieces scattered around the room waiting for those last few hours of time and glazes to dry. Walnut oil is a bitch for glazing and I don't recommend it. So here's a little in-between thing that's been taped to the wall a bit. For the longest time I thought I needed to go back and finish it, then I realized it was already done.

Pond Ghost drawing


This idea sprung from a random abstract thumbnail I did in my sketchbook several months back. I'd begun the drawing right after, then it got pushed aside for other projects for a long time. I started it up again recently with the lofty idea that I might make it a painting for Spectrum Live, but it wasn't to be so.


Looking back at the thumbnail, I might change the figure a little bit to bring back some of the original shapes, and I am on the fence whether to light the candle or keep it smoking. But I like the overall feel of it, and look forward to moving into the paint.

EDIT: Went back into it and changed it up some. I think this has a little more going for it:

New painting for Lincoln Arts Project show

Oil on 16 x 20 cradle board

One of Scott's former students, Pat Falco, and his friend Elliot Anderson have started a gallery in Boston. Their goal  is to bring quality, new art in from  young artists around the city into areas that might not normally see it. The resulting Lincoln Art Project Gallery has already hosted some unique shows including a showcase of concept  artists from Harmonix and a Type show.  When Scott and I heard about their plans to do an 'artist couples' show for Valentines day, we couldn't resist and thought it would be fun to create some portraits of each other for the show. I decided make Scott into a symbolist image about the relationship between artist and creative urge.


charcoal drawing and beginning washes of color 

Scott did a fantastic portrait of me looking very confident with my painting attire and, best of all, surrounded by books. It's a stunning graphic piece and I love that he sees me this way:


acrylic and pen on 16 x 20 cradle board

You can read Scott's blog about the process here.

And some press about the show, in which we are interviewed with some of the other artists, in the Weekly Dig here.

'Match'  at Lincoln Arts Project Gallery

Show Dates: February 8 - March 10

RECEPTION: Friday February 10, 7-10 PM

Gallery Hours: Wed - Fri 4-9 PM, Sat 2-8 PM or by appointment.

Rust drawing

"A sword, a spade, and a thought should never be allowed to rust"
~ James Stephens
Irish poet and storyteller, 1882-1950



This is my Charcoal drawing for the latest ArtOrder challenge, which was to create an illustration from the above quote. I LOVE these sorts of challenges because they demand that you think outside the box. I knew immediately that the first rule for this piece was to avoid swords and spades as imagery. I thought about it for a while and then, randomly, picked up my favorite book The Neverending Story and opened up to the chapter I was currently re-reading. (I have plans for this book, but in the words of Ende "That's another story and shall be told another time.") Anyways one of the characters has an army of metal giants that she controls with her will. Towards the end, when her evil plans have been thwarted, she looses all control of these giants because her will no longer has a purpose and they kill her. I thought, 'well this is all just too serendipitous'.

"They were puzzled, because they knew it was Xayide's will alone that had moved the hollow giants. So, they thought, it must have been her will that they should trample her to death."

The giants are the personification of Xayide's twisted thoughts and desires. But because all her plans involve manipulation and power, her thoughts are hollow and they prove to be her undoing.

"For years the hollow, black-metal giants stood motionless on the heath not far from the City of the Old Emperors. Rain and snow fell on them, they rusted and little by little sank into the ground, some vertically, some at a slant. But to this day a few of them can be seen."

Now onto the paint!

The Waterhouse post

(Disclaimer: First attempt to write anything of large scale on two days of cold medication and fever. Please be kind.)

So over MLK weekend a large group of us (artists, art directors and art enthusiasts) pilgrimaged up to Montreal to see the massive Waterhouse retrospective that is showing there until February. I could go on and on about the joy of the train ride up and back with such titans of the industry and inspiring folks as Irene Gallo, Greg Manchess, Kurt Huggins, Zelda Devon and Scott Brundage, the added fun at the Biodome, and the pleasure of sharing this show with so many people I admire- but Irene has done a much better job than I could and taken nicer pictures over at her blog. And her amazing photos here. So I will mostly just show stuff from my sketchbook and talk about a few things that I took away from this retrospective.

Saying this show was inspiring is an understatement. I always liked Waterhouse just fine, but looking at his work up close and seeing what a master storyteller and handler of paint he was humbled me. In his early works especially, his attention to detail and handling of every aspect of narrative from facial expressions to body language to value to color to brush strokes to edges only made it clear how much I have yet to learn. When at his best, not a single aspect of any given piece was thrown away.

Of course, being the portrait lover I am, I spent a lot of time swooning over his faces. Waterhouse knew how to capture an expression that told volumes, and several times I was as entranced with what was going on with the background characters as with the main subjects. Such as the two old men in Mariamne sitting in quiet judgment and whispering amongst themselves.



Here are some more faces. Many from Waterhouse, some from life and one from my head, while trying to illustrate "Dark Light" (thanks for the term Kurt!) at lunch between viewings.



I first saw "The Lady of Shallot" in London in '08. I won't lie- I might have cried a little that first time. But seeing it again after nearly 2 more years of training, and amongst all his other work- it didn't pale one bit. I noticed a hundred more details on the second viewing that just made it that much better a piece to me. The thing that most impressed me this time was, perhaps, realizing that the only thing truly in focus in the piece is her face- and as you move further out from that point, the paint and edges blur more and more. It's very subtle, (not something you can spot in reproductions) but it speaks volumes about the mastery of the painter and the story of this isolated woman he was telling. Of course, I had to try and capture her haunting expression.



Even after spending nearly 6 hours at the exhibit saturday, I went back Sunday for some more. The Magic Circle was another really popular piece at the exhibit. It was one of his simpler works, but that just made the details he included more effective. The dust on her skirt, the hint of fire from the circle, the live ouroboros around her neck and how drinking in all these details meant you didn't even notice the cave of people around a fire in the background until the 4th viewing made this piece especially riveting.



One of the things I think that I most appreciated from this exhibit was the way Waterhouse was never afraid to throw a main figure's face into shadow. The way he could hide features, and still not loose any emotion of the piece really got to me in a good way and is one of his devices (among many) I look forward to trying. It will no doubt be years and years before I can effectively use (or even fully understand) many of the things I appreciated in Waterhouse in my own work, and certainly I will notice all new things should I see any of these pieces again...but I think that is part of the joy of this whole artistic journey.

Happy Arting!

Bits from the sketchbook

Time to start keeping up with posts more regularly! Here are a few things from the sketchbook:

First an old wandering wizard and his traveling companion.



I love winter for all the interesting layered fashions that people wear around the city. The bottom was a lovely woman on the subway with a great hat. The top figure was done from memory of a neat jacket a girl was wearing on the street.



I'm very lucky to be living in the heart of Park Slope, where there are so many interesting people on every corner. One of my favorite regulars is the Accordian Man. He sits out on various corners and plays some really lovely music- and I have always had a soft spot for accordion. So one evening as I was waiting for a friend, I sat at the Connecticut Muffin and sketched him for about 20 minutes.

Illuxcon Sketch Dump

So I went to Illuxcon this weekend with some amazing artist friends: Kurt and Zelda and Rob Rey. All you have to do is go check out the guest list to figure out what an amazing time I had. It's a small con, only around 200 attendees, but concentrated with some of the best artists in the industry, fascinating panels and lots of great conversations. In case you haven't heard me talk about this at length already: the people in the sci-fi/fantasy industry boasts of the most generous, supportive, down to earth sorts of folks around. I used nearly 20 pages of sketchbook during the con, so without further ado, here are some highlights:

Spot the art-stars! Sculptors Thomas Kuebler and Jordu are here...


Jordu and Thomas did an amazing collaborative sculpture during the con. Here's a pic swiped from Christopher Burdett's blog:


Here we have art directors Jon Schindehette (D&D) and Jeremy Cranford of (WoW) who both took time out of a very busy schedule to talk to me about my portfolio. You guys rock! Also Kurt Huggins.

Scott Altmann, another favorite.

A couple of Chris Burdett and Rob Rey.

Drawing people sleeping is fun- and creepy. Here's Kurt.

And Zelda sleeping in the car. Then while listening to Florence and the Machine's Rabbit Heart, I started sketching a rabbit and just felt like continuing the theme. Introducing Fungarabbit and Bunthulu:

© 2009 Kristina Carroll.

Some exciting projects on the horizon so expect more soon!

More Amanda Palmer, Queens and faces

Ok, ok. So it's definitely been too long since my last post. I will try to make this one count! I've been doing a lot of work for Shadowrun, none of which I can show you of course. But I can show you some of the side projects I've been working on in between.

First off a couple more tiny portraits. Here are Mark and Valya:

These two were a lovely couple and I really enjoyed working from several pictures of their beautiful family. I tried to capture the most striking emotion that both portrayed in their images. Mark definitely struck me as a thoughtful, far-looking person and Valya had a smile that I knew would be infectious in person.

Next is a little private commission work in progress I've been on for a bit. The Queen of Hearts:



Pencil and watercolor.

And finally, the piece I have been working on for the Amanda Palmer Tarot deck. The Seven of Wands with inspiration drawn from Amanda's song, "Astronaut":



I really do love working in charcoal. The flexibility and texture allow for so many happy accidents. Such as a random accidental brush turning into the milky way wrapping around a figure.

Variations on a Theme

First of all- thank you to everyone who voted for me in the last Art Order challenge! With your support I won the game! So get ready for another round of pencil fencing, because here's my submission for this week:



Variations on a Theme asked us to take a race from the 4th edition D&D set, put it in a pose and do 3 variations of the armor. I chose the Deva mostly because of it's newness to the world, and the potential for some crazy design. It is described as having a persian/japanese influence so I went to town on reference and had a blast trying to find different ways to marry the two styles. I plan on working on some color this week, to really finish these up as I just enjoyed them so much.

So if you like my Devas, head over to ArtOrder after Tuesday's (tomorrow's) posting and leave a vote for me in the comments section. FYI, Jon is no longer accepting anonymous votes, so please remember to put your name in the appropriate box!