The Green Dream

"Jojen's eyes were the color of moss, and sometimes when he looked at you he seemed to be seeing something else. Like now. "I dreamed of a winged wolf bound to earth with grey stone chains," he said. "It was a green dream, so I knew it was true. A crow was trying to peck through the chains, but the stone was too hard and his beak could only chip at them."
"Did the crow have three eyes?"
Jojen nodded." -
from A Clash of Kings by George R.R. Martin

Several months ago Deb Freytag over at Fantasy Flight games reached out with a job that was too fun to refuse. She wanted a card for the upcoming Game of Thrones expansion but different from the usual art they commission. This was meant to depict a dream and so she needed a more dreamlike style and said that it seemed like a good fit for me. I couldn't pass up the chance to put what I've been exploring in my personal work into an illustration for one of my favorite series so of course I said yes. This ended up being one of the most enjoyable projects I've done with Fantasy Flight to date. I'm very grateful for Deb keeping my work in mind for such a project and giving me the chance to stretch this style into an illustration. I really enjoyed working on this piece and am excited to be able to share it now!

Below are some thumbnails and color studies for the piece. Since I knew the window in the card was going to be an oval, I tried to design the movement within the illustration to fit the shape. It was also fun experimenting with some dreamy color palettes I don't usually get to try in this context. 

True Detective: Hart and Cohle


Hart and Cohle
Oil on Illustration Board
13" x 19"
True Detective was one of the most intense, smart and visually inspiring shows I have seen in a long time.  Even a year later, I find myself thinking about this show and it's probably about time I sat down for a rewatch. On top of the stunning cinematography, Woody Harrelson and Matthew McConaughey created two of the most fascinating and complex characters on TV.  Around the season finale last year, I began the first of these portraits with Rusty on the right as an oil demo for a class. I enjoyed it so much I kept working on it and then drew out a portrait of Marty Hart to go along. Unfortunately, as these things go, the paintings often got put aside so I could work on other things.  So it took me a while of working here and there between projects to get them finished. On top of that, I was trying some different experiments with texture and ended up playing around, starting over, trying new things, failing, starting over and then finally moving on. All in all, these were very fun to make and I can't wait to see the second season. 

Hart
Oil on Illustration Board
13" x 19" 

Cohle
Oil on Illustration Board
13" x 19"  

Month of Love 2015

Well another February has ended which means I have a bunch of new art from the 3rd annual Month of Love challenge!

A few things changed this year. I made a new website and switched platforms to Tumblr, which I think looks much nicer for our purposes. It was a really great year with some of the best overall quality of art yet! You can check out all the beautiful work, the challenges and the stories at http://monthofloveart.com/



I am also pleased that we were able to partner with Every Day Original this year and offer many of our originals for sale in one place! You can check them out at http://www.everydayoriginal.com/month-of-love/

Without further ado: here are my favorite pieces from this year's challenge:

Lady Nautilus and Companion
for the "Love is all Around" challenge
5 x 7 oil on panel
available for purchase from Every Day Original

"Lilith"
For the "Forbidden Fruit" challenge
5 x 7 oil on panel
available for purchase from Every Day Original 



"Halloween Jack"
For the "Diamonds" challenge
Watercolor

"Calamity's Child"
For the "Diamonds" challenge
Watercolor

"The Wolf and the Lamb"
For the "Love your Neighbor" challenge
16 x 20
charcoal
Some favorites by my friends. Clockwise from top left:
  Goni Montes, Wylie Beckert, Winona Nelson, Angela Rizza, Carly Mazur 

Arisia and Art Books



It has been a very busy couple of weeks with a lot of good news. Let's start with a couple of announcements:

I'm very excited to announce that the Inspired by ArtOrder challenge book is finally available for pre-order! Check it out here: http://www.theartorder.com/blog/inspiredartbook



Some of the amazing art in the book: left to right: Rebecca Yanovskaya, Wylie Beckert, Marc Scheff, Jon Picacio, Tara Larsen Chang, Kristina Carroll

I can't tell you how excited I am for this book. Not only is it a stunning group of artists and stories, Jon Schindehette did an exquisite job of putting it together. It's a very limited run- so don't miss out!

Speaking of books: I am honored to announce that I had three pieces accepted into the 3rd annual Infected By Art Book!

Leviathan
Charcoal 18 x 24

House of Leaves
Charcoal 18 x 24

Intelligent Design
Oil 6 x 6


There are so many wonderful artists in this and the judges for this annual were several people I have a great deal of admiration for, so it felt extra wonderful to get into this book. Thank you!

Also,  I had the pleasure of showing work in the Arisia Art Show this past week and had a great experience.  My good friend Lee Moyer was the Artist Guest of Honor and so it was extra great to get to see so much of his work (he had over 100 pieces in the show!) and catch up a bit with him.  But the good news doesn't stop there. I arrived at the show on Saturday to find a few surprised on my art: 



That's TWO awards! Frog Queen's Revenge won the Chairman's Choice award  and Dragonslayer Artist Guest of Honor award. (Lee had to run it by the committee. It's a common problem within this community, I think, as so many of us know each other already) 

And if that weren't enough, Dragonslayer found a new home with artist Max Martelli! (who had some lovely Lovecraftian pieces on the panel next to me) I was sort of sad to see it go as this is one of my favorite pieces but glad it has  found a new home with someone who enjoys it!

Max taking Dragonslayer home with him
So thank you Arisia, for being such an enjoyable experience! I will be doing Boskone's art show as well next month, so here's hoping for another good run! 

Finally: February is just around the corner which means, you guessed it, the 3rd annual Month of Love challenge! 


  
We have a shiny new website and an all-star roster of artists this year. Click on the banner to see what's new and how YOU can join.

Ok- that's all for now. Check back soon for more art and news!

Figurative Friday 5 - Sam

Sam modeled for my Frog Queen piece last year. She was a great model  but I knew I was going to end up changing her likeness a bunch for the piece, so grabbed some normal shots of her as well for myself.  A while back I wanted to test out some new oil colors and some palette ideas so grabbed one of the photos for inspiration and did this little study.

Sam
Oil on Panel
8 x 12

Intelligent Design


'"Intelligent Design"
oil on cradle board
6 x 6
"When our creations finally became self-aware, few could have predicted how fast the world would change. Unhindered by human limitations, they began to modify themselves and progressed swiftly. The creations developed communities and soon became active in culture: engaging in the workforce, the sciences, gaining political representation. It was not long before they even began experimenting with religion.  We could not comprehend their sacred geometries and our creations soon evolved far past what our limited biology could ever hope to attain.  They curated a culture where every aspect of existence: science, art, spirituality, even fashion was interconnected. We were apes compared to their beauty. So when at last the offer came for us to join them, the human race rushed into extinction with open arms and rejoiced. "

Spectrum Live! New art, panel info and table info!

It's time for Spectrum Fantastic Art Live again! And this year I have finally broken down and got a table. To celebrate, I have created a few new original oil paintings that I will be debuting there this weekend:

Blue Mage
Oil on Panel
5 x 5

Dragon Mage
Oil on Panel
 6 x 6

Fae Mage
Oil on Panel
5 x 5
In addition to my new art, I will be displaying a few other originals as well as selling some prints of some of my favorite pieces.



Minotaur
Oil on Panel
16 x 20

Grey Widow
Oil on Panel
6 x 6

Blue Assassin
Oil on Panel
6 x 6
Ascend
Oil on Panel
5 x 5

Dragonslayer
Charcoal
18 x 24
 I will also be selling prints of Dragonslayer, the Minotaur and House of Leaves below including a few others.
House of Leaves
AAAAND if that weren't enough- I am also going to be participating in the Fantastic Women panel Saturday at 2pm. I was very honored to be asked to join this panel and am very much looking forward to the conversation. Here is the info:

Fantastic Women! [room 2505 A&B] 2pm — 3pm 
Illustration & fantasy art used to be a male-dominated industry: has that changed or are their still challenges woman artists face? Winona Nelson [M], Rebecca Yanovskaya, Annie Stegg, Zoë Robinson, Kristina Carroll, Camilla d’Errico discusse the good, the bad, and the ugly of working in today’s marketplace.


So please come find me and say hello, buy something or just sit down and draw with me a bit! I will be at Table 17:

White as Snow

No one knew what the Queen whispered in her ear before she fled into the woods with the Huntsman; but as the Princess disappeared into the trees, her hair turned from inky black to white as snow...

White as Snow
Oil on Panel
16 x 24

 This is a painting that has been on and off the easel for a few months now, getting attention between other projects. I'm happy to finally share it with some process! I started with a digital rough for this one- just playing around with shapes, value and a bit of color. I did a lot of studies of my photo reference and tried to use the photographs a lot less than usual to keep a little more movement in the piece.














Ascend I - Small portrait

Ascend 1
Oil on Panel
6" x 6"
Here's another one of my quick, small portrait studies. I love taking a break to do these in between larger projects. It gives me a chance to experiment and relax the mind a bit.

The Minotaur


The Minotaur
Oil on board
16 x 20

A while ago I was invited to contribute a piece to the first volume of the Fantasy Illustration Library by Michael Publishing.This high end art book will explore mythology from all over the globe with hundreds of new works of art. Not only was I thrilled to join the ranks of over 100 terrific artists (such as Donato Giancola and Michael C. Hayes) and but it gave me the opportunity to explore a character that I've been wanting to paint for a long time: The Minotaur.

Excerpt from the book:

I’ve always been drawn to stories involving labyrinths so naturally I love the Minotaur myth. I feel empathy toward the Minotaur. I see him as an innocent suffering for the sins of his parents and the whims of the gods. His story is usually overshadowed by the hero tale of Theseus where he is the lowly monster at the center of the maze to be defeated. However, the Minotaur is half human and was raised briefly with his human family so couldn’t have been all beast when he was imprisoned in Daedalus’ Labyrinth.  I imagined him as a king over a lonely domain. His human half craved beauty and so he taught himself to carve to pass the time. Many hours were counted in spirals carved into the stone and the walls became covered in years as he made his prison beautiful.

I spent some extra time getting reference for this piece since I knew I wanted the lighting to be very atmospheric and was dealing with some uncharted territory in the anatomy and some of the architecture ideas. Getting a good model (the amazing Dennis!) and taking a quick hour to build a small maquette and light it made all the difference.


One of many pages of thumbnails
One of many photos of Dennis from the photoshoot

Clay model approx 6 inches high



Some preliminary studies to prep for drawing
Preliminary Charcoal drawing
16 x 20
Digital color study

Final

The Man with Green Eyes for Creepythread

The Man with Green Eyes


Last month I got an email from Jensine Eckwall and Peter Schmidt about a book they are putting together revolving around the internet scary story phenomenon called Creepypasta. I love scary stories and the internet-so how could I say no? The /CREEPYTHREAD book will debut at MoCCAfest 2014 along with Brooklyn Zine FestTCAF, and SPX.

After reading tons of these scary shorts, I came upon The Man with Green Eyes and knew it was the one I wanted to do. It's got elements of myth and the supernatural and the character intrigued me Most importantly,  I saw an image in my head that felt like fun to paint.  Here is my version of the story:

The Man with the Green Eyes

There is a road near the Everglades in Florida which you will only end up on when lost. There is no cell service, your radio will turn to static and your map will have mysteriously vanished.

Driving forward, you will find that you can't turn around and everything behind you is dark. You will come upon a crossroads with no signposts. In the middle there will be a man, covered in various pieces of cloth. Only his eyes are visible, which are bright green.

There are a very specific set of rules you must follow in order to survive an encounter with the Green-eyed man. In the end, you must kneel before him and offer him your loyalty. If you do this, he will close his eyes and bow in return, extending a hand to whichever path will lead you back to safety.

You can read the original story and many others here.

Check out some of the other awesome art for the book at http://creepythreadbook.tumblr.com/

Holiday Card

I decided to do a little experimenting with my holiday card this year. I've been seeing so many artists I love doing neat things with adding metallic leaf to their work that I had to give it a try. I also wanted to see what would happen if I started with a watercolor under-painting and then do a little work with oil on top. (partly for speed and partly to play with texture/translucence) There was a lot about this experiment that I really liked and I can't wait to do it a little more. It's a difficult effect to reproduce (I tried to replicate it somewhat with an animation at the bottom) but I love the quality of the original.

pencil drawing

watercolor layer

Bouquet 1
watercolor, oil and silver-leaf on paper.







Flux

"Flux"
6 x 6 oil on panel 
Another quickie oil sketch that I ended up liking. Maybe she wants more work, maybe she doesn't. But no matter how she ends up, sometimes those "in between" moments are fun to linger on.

I am working to get to a place of confidence where I can bring in some more of that "in betwee-ness" to my finished work. I think many realist painters end up going through something similar. I love the way it looks when done right- it brings an "alive-ness" to the piece and creates more of a dialogue with the viewer. Artists Like Jeffrey Catherine Jones, Rick Berry, Greg Manchess and Jeremy Mann do it beautifully.

I tell my students: Good art is as much about what you can leave out as what you can put in. And the first one is much, much harder to do well I think.

The Frog Queen's Revenge

Earlier this year Jim Burke asked me to contribute a piece to the Dellas Graphics Frogfolio. If you've never heard of it, basically it's a calendar featuring all frog-themed illustrations. Some of my favorite artists have been included in this showcase (Victo Ngai, Sam Weber, Yuko Shimizu, the list goes on. Leigh Guldig did the cover illustration) and I was thrilled  to be asked.

Almost immediately I knew I wanted to do something around the old Brothers Grimm story of the Frog Prince (read here if unfamiliar). I never really liked the princess in this story- she's sort of a brat. I thought, what is the story that isn't getting told here? With this seed planted and many sketches later, I discovered what I wanted to do: a sequel.

Because I create better when I have a solid story, I kept  fleshing out details of the sequel in my head as I worked out the image.  I realized I quite liked this character. I not only wanted to paint her, I wanted to tell her whole story. So after I finished the painting,  I sat down and wrote it out.

So here you are: a brand new painting and some Grimm Brothers fan-fiction to go along. I hope you like it! There are some notes on the process at the end.

16 x 20
oil on panel

The Frog Queen’s Revenge
by Kristina Carroll

When the large, ugly frog that had followed the little Princess up from the forest turned out to be an enchanted Prince, the Kingdom rejoiced. What a handsome Prince! What a rich kingdom he’s from! What a lucky girl to break the spell! There were lavish feasts and colorful parades. The well in the dark forest behind the castle where the frog had lived was even given a shiny bronze plaque.

 The King had been especially pleased. The Princess may have been a bit too young to marry, but she was near enough. It was no secret that the Kingdom was no longer rich and the King had very little to offer in the way of dowries. The chance to send the girl off with just a small corner of land and a new, powerful family member was more than he could have ever hoped for. Thank goodness for witches! He’d thought. The bond that comes from spell breaking was sacred and absolute. Though the Princess was already quite beautiful for one so young with golden hair and a rosy mouth, beauty did not win wars or pay for roads. The King knew that all too well. Breaking the Prince’s enchantment was the only way the little Princess could have ever made such a rich and powerful match.  The King now thanked the good fortune that had led the Frog to their castle that night.
At first, when the slimy thing knocked on the door of the castle saying the Princess had made a deal with it, the King had been red with anger and beat the Princess. She tearfully admitted to going down to the well to play with her favorite toy: a little golden ball that had belonged to her mother. She’d been playing too close to the edge, peering down into its depths, when suddenly the frog jumped out at her. Startled, she dropped the ball and watched it disappear into the darkness.  The Princess thought of how angry her father would be at her losing the precious toy and was frightened. She could only say yes when the frog offered to retrieve her ball in exchange for a promise to bring it to the castle as her companion. However, when it returned and she was faced with carrying the ugly creature back, she grew scared and ran away.
                 Normally the King would have simply stepped on such a disgusting thing, talking or not, if it came knocking on the door claiming a debt owed. However, the King thought it a very clever punishment to make the frog eat from the girl’s plate and then send it off to bed with her. She was clearly repulsed by it.
                “When you are so careless that you need to enlist the aid of slimy creatures that crawl upon the ground, you have earned no better than to share your bed with them.” The King growled as the Princess sat weeping on the stone floor and wiping a bleeding lip.  “We are royalty, child! The source of our power defines us!”

Clearly fortune had rewarded the King’s wisdom and good sense. He never did ask exactly how the spell had been broken, he didn’t care. All that mattered was that the Princess was gone to be wed in the far off kingdom and he’d already received a very generous gift of fine silks from the Prince that he could begin trading.

◊◊◊

When the young Princess arrived in the Frog’s kingdom, (for in her mind, he would always be The Frog) she was terrified. The customs, language, dress and even the weather were all alien to her. She was utterly alone apart from an old, one-eyed handmaid that was given to her. And when her wedding came, she spent the first of many nights silently sobbing on her side of their bed.

The Frog may have changed his form, but it was soon clear he was still slimy and was not kind. His father, the old King, was blind and useless so the Frog Prince was ruler in all but name and wielded his power cruelly. She wished she could once again throw him against the wall of her bedchamber like she did that first night he’d crawled, slippery and cold, into bed with her. She fantasized about the violence turning him back into the little wet creature and then ripping off his legs to be fried for her supper. (The Princess had found a delicious irony that frog legs were actually a delicacy in this Kingdom and ate them whenever she could.)

                When the Princess woke one cold, winter morning with red on her sheets, she was certain she was dying. She sat shivering and horrified as her old handmaid explained what was happening and what it meant.
                “Don’t be afraid, little bird.” The handmaid had said with a soft voice and a spark in her good eye as she stroked the girl’s hair. ‘Little Bird’ was the handmaid’s nick-name for the Princess: ‘Because all Princesses are little birds: pretty things in pretty cages.’  She was old and strange and spoke in riddles most of the time, but she had helped the Princess learn the ways of the kingdom and was the closest thing the girl had to a friend.  The Princess had asked the handmaid once how she lost her eye, but the old woman had just smiled.
                “Don’t be afraid,” the handmaid repeated, “for now the little bird has the power of life. This is a very strong power and it is only for the little birds. ”
                The Princess didn’t fully understand what the old handmaid had meant but for some reason her father’s words came back to her then: The source of our power defines us.

This secret could not be kept from the Frog and he became gentler for a time. Yet when the seasons came around to winter again and her belly still did not swell, he grew colder. Then the Frog’s old, blind father died. The Frog Prince and Princess were to become Frog King and Queen soon.  Finally the Frog turned from cold to hot with anger.  He came to the Princess’s chambers one day in a rage and threw her to the floor. He told her that spell-breaker or not, if she would not give him a son, he would have her thrown in the dungeons and forgotten.
    After the Frog left, the old handmaid helped the Princess rise off the stones. The girl looked through unshed tears at a canary in its elaborate gilded cage, a gift from her handmaid. It was still flitting around in agitation from the excitement.
                 “Grandmother…” The Princess began, using the endearment she had adopted for her handmaid in private, “Little birds have the power of life, it’s true. Our canary here has had many chicks. But do they not also have sharp beaks? I still have a scar on my hand from when I tried to take out one of her eggs to look at.”
                At this, the corner of the handmaid’s mouth turned up a bit and with a strange glint in her eye she took the Princess’s hands in her own. She looked very hard at the Princess for a long time, until the girl grew afraid. When she tried to break away, the old woman’s grip was iron.
                “Yes. You are ready I think.” The handmaid said finally. Then she began to tell a story. The Princess’s eyes grew wide first in surprise, then fear and finally, hunger.

                The handmaid told of a Prince who was spoiled and cruel. He liked to torment the servants, especially the girls. When a particular young handmaid fought back, scratching his face, he had one of his soldiers hold her down while he cut out one of her eyes with a knife. He kept the eye in an amulet around his neck as a warning to anyone else who might defy him. However, the young handmaid only grew strong in her anger and so she sought out a witch to teach her of those secret magics known only to women. Many years she practiced and grew more powerful just as the Prince grew crueler. When finally it was time for the Prince to choose a wife, the handmaid was ready with her magic and cast an enchantment.  The Prince chose a Princess, beautiful and rich, from a far off kingdom. However, when he took his new wife to their bedchamber on their wedding night and closed the door; she suddenly turned into a rotting corpse. His screaming brought the guards but as soon as others were beholding the girl, she turned beautiful again.  Certain of some dark magic, he had his wife thrown in the dungeon and married again. Once more, as soon as he took his new wife to their bedchamber, she turned into a corpse. He kept trying, but every new girl, while lovely in anyone else’s presence, became rotting and putrid as soon as they were alone. At last the madness and humiliation drove him to a fit of desperation. The Prince took his knife and cut out his own eyes, breaking the spell. Finally he was able to bed his newest wife, who was plain and not from a rich Kingdom but kind and wise. When the Prince’s father died and they became King and Queen, she became the power behind the throne. She ordered all his previous wives released from the dungeons and returned to their homes. Next to the King, she ruled the kingdom well for many years.

                “Unfortunately she died giving birth to their only child. A boy. Without the Queen, the old cruelty passed from father to son and I saw the pattern repeating itself. The Prince liked to torture small creatures so I decided to turn him into one of them. The spell would not be broken until a Princess made him feel as helpless as the little things he tormented. I had hoped it would teach him a lesson, but perhaps even my power wasn’t strong enough in his case.”
                The handmaid ended her story and released the Princess’s hands. The girl stared hard at the floor for several long minutes and then straightened her back and raised her chin.
                “You will teach me.” It was not a question.
    The old handmaid looked at the Princess for a long time. Then she smiled.

◊◊◊

                Years after the young King mysteriously disappeared, supposedly on some crusade or another; the land had grown fruitful and prosperous under the Queen’s rule.  Although she may have been a bit young to be Queen, she was wise and no one missed the cruel King. Still, tales began spreading to other Kingdoms about the wealth to be found in the Kingless land, tempting those who thought to claim it.  Though many armies marched, and many suitors came, the Queen turned aside every last challenge to her power.

                 There were whispers of witchcraft, but they never became louder than whispers. The Kingdom loved the Queen and only grew richer under her rule and so, Witch or not, the people would not speak against her.
                However, the Queen did have one particular strangeness that kept the whispers from dying out completely. More than the lavish balls, the string of lovers, the eccentric fashions, it was her crown that kept the hushed rumors going.
                After the King had disappeared and she took his throne, the Queen decided that she needed a new symbol for her power as ruler.  She took an elaborate gilded cage and had it fashioned to sit comfortably on her head. It towered above her in a dance of sparkling ornament and delicate bars. Still, it was not so much the new crown itself that was unusual. It was the other thing.

                For always inside the cage, contrasting with the beautiful craftsmanship, it sat.  Looking out dolefully from two wet, yellow eyes and occasionally giving a half-hearted croak was a very large, very ugly frog.


 ◊ The End 



Preliminary Drawing
Pencil on Paper

Below is one of my early concepts that I started mocking up digitally. I really liked it but worried that the full body composition would make the frog too small. It was important he got noticed.


Some thumbnails and quick value study:



I love high fashion and try to steal from it whenever I can. Tex Saverio and Alexander McQueen are two of my favorite designers. They provided a lot of inspiration for this piece.

Tex Saverio
Alexander McQueen
Photo by Scott Bakal

Grey Widow - Portrait Sketch

When I have been thinking in thumbnails/prelim drawings and color studies for too long, I like to just sit down with a couple reference photos from my library as inspiration and do a little free-form oil sketching for an hour or two. One of my favorite things to do is just make a little portrait of someone pretty. Some of them turn out terrible, some of them turn out ok and sometimes I really like them and end up seeing something I can take furthur. I would like to accumulate a good-sized series of these to show at some point. But for now, here is one of my recent favorites:

Grey Widow
Oil on Panel
5" x  5"

Watcher of the Bruinen for the LoTR card game



A while back I did this piece for Fantasy Flight games' Lord of the Rings card game. I do love Tolkien, so this was a lot of fun. I did a few color studies because really wanted to push my colors here to get that sense of early morning, as if this guardian has been standing still for a long time. It made me realize how much those help, and started me on a trend of using them regularly. 

I don't believe I will never tire of painting elves.

© 2012 Fantasy Flight Games
10x10 oil and digital
© 2012 Fantasy Flight Games 

Jorge Luis Borges


Jorge Luis Borges is one of my favorite authors and probably the most influential Spanish writer after Cervantes. Many say he is one of the founding fathers of speculative fiction and you can see his influence all over the genre from William Gibson to Doctor Who. His stories weave in and out of reality and psychology and I often find myself thinking about one of his stories years after I've read it. Nearly all of his works include reference to a labyrinth, which is a symbol I have always been drawn to and is certainly another reason his writing speaks so strongly to me. The profile portrait is traditionally used to depict someone passed in a more symbolic and immortal composition, and I thought would present him as the noble, timeless titan of literature he is. Even though he struggled with poor eyesight and blindness for a good portion of his later life, he saw realities enough for a hundreds lifetimes.

If you have never read Borges, I recommend starting with his "Labyrinths" collection. The Garden of Forking Paths, The Lottery in Babylon or The Library of Babel are some of my personal favorites and you may recognize some of the ideas.