New painting for Lincoln Arts Project show

Oil on 16 x 20 cradle board

One of Scott's former students, Pat Falco, and his friend Elliot Anderson have started a gallery in Boston. Their goal  is to bring quality, new art in from  young artists around the city into areas that might not normally see it. The resulting Lincoln Art Project Gallery has already hosted some unique shows including a showcase of concept  artists from Harmonix and a Type show.  When Scott and I heard about their plans to do an 'artist couples' show for Valentines day, we couldn't resist and thought it would be fun to create some portraits of each other for the show. I decided make Scott into a symbolist image about the relationship between artist and creative urge.


charcoal drawing and beginning washes of color 

Scott did a fantastic portrait of me looking very confident with my painting attire and, best of all, surrounded by books. It's a stunning graphic piece and I love that he sees me this way:


acrylic and pen on 16 x 20 cradle board

You can read Scott's blog about the process here.

And some press about the show, in which we are interviewed with some of the other artists, in the Weekly Dig here.

'Match'  at Lincoln Arts Project Gallery

Show Dates: February 8 - March 10

RECEPTION: Friday February 10, 7-10 PM

Gallery Hours: Wed - Fri 4-9 PM, Sat 2-8 PM or by appointment.

Cover Illustration for Realms of Fantasy




I am very pleased to announce that my art will be featured on the cover of the August '11 issue of Realms of Fantasy! This is my second time working with Doug Cohen and RoF, and it was once again a pleasure. One of my favorite things about working with them is their philosophy of creative freedom. It is a very rare thing these days for publications and art directors to show so much trust in their artists, and it is a big breath of fresh air to be allowed to really bring a personal voice to a story and feel supported doing it.

Originally this piece was commissioned solely as the interior illustration to a story called Leap of Faith by Alan Smale. The story had a lot of themes that really appealed to me: archaic biblical gods, the imperfection of creation, flawed industrialization. It brought together very separate historical elements that you wouldn't expect to see together in one world, and it was a fun challenge to bring them together. I did pages of thumbnails but eventually narrowed down what I wanted to a scene with the main character and Smale's incarnation of the Lilith 'demon'.



I played with the composition and size relationships a bit but decided the first two felt a little too "Night on Bald Mountain' for me. The last had the best movement and hinted at a more communal relationship between the characters. Plus the view of a vast ruined industrial landscape from a place of height tied in better with the story theme for me.

Progress shot of mostly under painting.



The final piece!



Now you may have noticed a slight difference in my final piece and the one appearing on the cover. That's because when it was just an interior, the presentation of the Lilith's 'femininity' was still ambiguous enough not to be worrisome. There was no blatant nudity after all. However, when Doug started talking about using it for the cover, there was then the question of how ambiguous is not ambiguous enough for the general public. While Doug and I both loved the piece how it was, I didn't think a little edit for peace of mind would do anything to its integrity and a few more appropriately placed feathers did the trick. Et Voila!



I can't wait to see the cover all shiny and in person!

Spectrum and Leurzer's Archive

So I just got my Spectrum letter telling me which piece got in number 18! Strange portraits of Richard Saja seem to be my lucky charm it looks like, because it was another commission from Richard that earned me a place in the book this year:


This piece was a collaboration between Richard and I, stemming off the initial idea of a portrait with piebald skin and then incorporating a few symbols that have significance to Richard. As I've mentioned, I often look to Baudelaire for inspiration and his poem Elevation ended up being my personal mental narrative for the painting.

Whose thoughts, like larks, rise on the freshening breeze
Who fans the morning with his tameless wings,
Skims over life, and understands with ease
The speech of flowers and other voiceless things.


Speaking of Richard, the last portrait I did of him for his show at the Shelburne Museum continues to bring me luck as it was chosen for this year's Leurzer's Archive of the 200 best Illustrators World Wide.


I actually had two pieces accepted into Leurzer's. The other was my 'Echo' painting:


But I decided to only show one piece in the book this year.

Grayson

About a year ago, I met Andrea in Prospect Park while we were walking our dogs. We got to talking and the subject came around to art. When I mentioned I paint, she became interested and so I handed her my postcard. She started telling me about how she'd always wanted to have a more unconventional portrait of her son, Grayson, done with a sort of sci-fi setting and my style fit the bill. After several conversations, she hired me to do the portrait as a gift for her husband. I was a little nervous, having never painted anyone under 18 before. Luckily Grayson was a real character and kept us smiling during the photoshoot:



I'd done a few sketches for composition - Andrea liked the idea of Grayson in front of a window looking out on a otherworldly landscape, but she didn't want it too over the top. The image on the right was closest but she was looking for something simpler.



Then during the photoshoot we had one of those happy accidents where on a break, Grayson threw his hand over the back of the chair and I took some shots. It ended up being just the right pose for his personality and Andrea agreed this would be a great image to work around. She even wanted to keep the watch in. I created the drawing:



And after approval, the painting:



It's no secret that I love painting portraits, and getting the opportunity to bring portraiture and my affinity for fiction together made this a great job. We all ended up happy with how this one turned out- and no doubt it will be the most memorable Christmas present this year!

Realms of Fantasy



Realms of Fantasy has been a great outlet for new artists for as long as I can remember . I have a lot of friends who have produced some turning point pieces for the magazine- largely because they gave you the sort of creative freedom that is pretty much extinct nowadays. I've wanted to work for them ever since I became interested in fantasy illustration ,so when Doug Cohen asked me to do a piece for the December Issue- it was a no-brainer. He even wrote a lovely blog post about how he first saw my work:
http://www.rofmag.com/2010/08/06/rof-art-department-latest-artist/

Unfortunately not long after turning in the art we were sent the sad news that the December Issue was to be the last, and would not make it to paper print. The final issue has been placed on the RoF website for free download here:

http://www.rofmag.com/rof-dec-2010-free-issue.pdf

Where you can read the story this piece was done for and see the rest of the magazine, including a fantastic piece by David Palumbo and lovely feature on Terese Nielsen.



So long Realms of Fantasy. You will certainly be missed.

"I Aten't Dead"



To quote my favorite Discworld character. I just moved to Boston. And while times the NYC withdrawl gets to feeling a bit much, I just look out my REAL STUDIO window to my LAWN and somehow I think I can go on.

So I've been lax, I admit. The lead up to the move, the move itself (happening quite suddenly a month before schedule) and getting adjusted... sure I've been making art- just not sharing. Only some of it due to contractual constraints. That ends now. I've got a decent backlog waiting to see daylight and it's time to get back onto communicating with the rest of the world.

The above self portrait was done in a little over an hour one morning when I looked at a still-wet palette from another piece and figured I shouldn't let all that paint go to waste. I call it "You're Coffee's Getting Cold."

Gandalf

Back in January I posted the oil sketch for this piece. I've been finished with it for a while, with the occasional tweak here and there and finally decided that it was time to share.



There's something about painting old men with white hair that really appeals to me for some reason. I think it's the challenge of whispy hair against old, leathery skin. Wrinkles are so much fun! And big, bushy eyebrows.

Replanting the Garden




Replanting the Garden brings together the work of 40 artists who were simply given the directive to make a piece in response to H. Bosch's GARDEN of EARTHLY DELIGHTS.



I ended up choosing something a little different: Eve Taming the Snake. Eve gets a bad rap when all she did was choose to accept awareness and knowledge of the world. Without Eve there is no art, no words no pain, no love, no beauty. Without Eve, we would not be able to delight in the earth, so I decided to paint a portrait that illustrates the respect I feel for her. She has cast off her forced role of the weak-willed woman, shaved her head and made that snake her own. My Eve isn't the tempted, she is the hunter. Next she will go rescue Prometheus.

Replanting the Garden, curated by Richard Saja, opened last week in Indianapolis' Big Car Gallery space. This is a wonderfully eclectic show and I was very happy to be included. You can see all the images at http://replantingthegarden.blogspot.com/ and purchase them through the Gallery or http://www.etsy.com/shop/BigCarGallery.

ArtOrder article, some drawings and some news

Hello folks!

I am excited to share my first ever foray into semi-semi-pro writing. Jon Schindehette over at his ArtOrder blog recently put out a call for guest writers to help lighten his workload and I decided to respond. You can see the results Here:

http://artorder.blogspot.com/2010/04/guest-writer-kristina-carroll.html

Please go check it out and let me know what you think! I had a wonderful time writing it.

And now it's time to share a few new pieces I'm working on:

Eve


This piece is for a show going up in May: Replanting the Garden. All pieces are works that were inspired by Heironymous Bosch's Garden of Earthly Delight's. I wanted to try something different so I chose a very simple and quiet composition of Eve taming the snake. The curator is the same man who commissioned my Richard portrait for his show at the Shelburne Museum so I think this is going to be a good one. I also quite like the color studies I did for the piece:



You'll have to wait until the painting's finished to see which one I chose. Lastly is a drawing I am very excited to start painting:

Merlin


Very much inspired by the charcoal drawings of Charles Vess. I haven't done a nice, woodsy scene in a while and I am really looking forward to it.

Lastly I am very pleased to announce that the aforementioned Richard painting has been accepted into this year's Spectrum annual!



This is such a huge honor, and I still can't quite believe that I got in.

Read what Richard Saja, the curator, had to say about the piece in his show here:

http://mrpeacockstyle.blogspot.com/2009/10/chat-with-historically-inaccurate.html

Last, but not least, Marc Scheff posted a lovely review of my Zebrulu piece on his blog:

http://www.marcscheff.com/some-favorites

Go check them out!

Still Life

So I have been doing a lot of charcoal stuff lately and decided, after being inspired by Rob Rey's beautiful still lifes, I wanted to spend some time painting to keep up my practice. I haven't done a proper still life in... a long time. So I set one up all nice like- even did some clever umbrella action to control the light. Here's the set-up:



And the full painting:



Because I'm me, I spent longer on it than I had originally planned- so tomorrow I think I will set up a smaller one, stick to my time-limit and see what happens. I was just too happy to be playing with paints today to stop.

Starstruck

I am very happy to share my newest painting. This piece was made to be a two page spread for Michael Kaluta and Elaine Lee's groundbreaking space-opera comic, Starstruck, currenlty in re- release from IDW. The updated book is made all shiny with brand new drawings and covers by Michael, additional words by Elaine and some beautiful color-work by Lee Moyer. These are some of my favorite people in the industry and I was so honored to be asked to take part in their baby.



The short story behind this piece is that it depicts the murder of Sambo Thrace-Smith, the worst playwrite in the universe by Kettle Black, leader of the Guernican Art Squad. To get the full story, you need to go buy issue #10 of Starstruck. But really you should buy them ALL. Because they're really, really good and unlike anything else you've ever read.

Rust painting

Here is the painted version of my Rust drawing for ArtOrder. You can read about the meaning behind my interpretation in the previous post.



I think it still needs some tweaking if I'm honest. A unifying glaze, and cooling down that foreground hand to start. But still- not TOO bad for a couple days work!

Gandalf!

So I've been working several things: one of which is a Gandalf portrait and thought I would share it in its "sketch" stage.



I tried a different way of working this one- just using some photo reference, and sketching first with a blue pencil and then with raw umber directly on a gessoed panel. There's something lovely about the freedem this warrants- much like drawing with charcoal. It's got some colors on it now, and perhaps I will share another progress shot soon.

Back to the easel!

Queen of Hearts finish

I love it when friends commission a piece and say "just do whatever you want". It allows me to experiment and discover new ways of working that I might not otherwise have a chance to explore. This was originally meant to be much smaller and simpler than it turned out, but I ended up having so much fun it sort of kept going. I posted a WIP a few months ago and just realized I never posted the finish, so here it is:



8.5x11 watercolor on Canson 140 lb watercolor paper.

Amanda Palmer Tarot: Seven of Wands



And here is a teaser for my final piece for the Amanda Palmer Tarot deck: The Seven of Wands. The most challenging part of this project was combining my vision of what the card meant to me with Amanda’s music. I knew that I wanted to use “Astronaut” as my basis but do it from the perspective of the person flying in the face of science, not the one left behind. I went through pages and pages of thumbnails before finding one that felt right and after shooting reference, began a charcoal drawing. I was still finding difficulty in placing imagery from the song in my drawing that would marry the concept with the card, until a random smudge in the charcoal put in my mind the milky way swirling around this larger than universes figure and suddenly everything started working. Another smudge on the rod in her hand made it burst into flame and suddenly echoes of Prometheus tied the whole piece together. From that point the drawing basically finished itself. I started laying down oil paint up to a certain point and finished digitally. Now I look at this piece and see a universal figure overcoming a universe in her way to achieve her goals. To me it is an image of perseverance, courage and inspiration and I can only hope others might look at it and feel the same.

More Amanda Palmer, Queens and faces

Ok, ok. So it's definitely been too long since my last post. I will try to make this one count! I've been doing a lot of work for Shadowrun, none of which I can show you of course. But I can show you some of the side projects I've been working on in between.

First off a couple more tiny portraits. Here are Mark and Valya:

These two were a lovely couple and I really enjoyed working from several pictures of their beautiful family. I tried to capture the most striking emotion that both portrayed in their images. Mark definitely struck me as a thoughtful, far-looking person and Valya had a smile that I knew would be infectious in person.

Next is a little private commission work in progress I've been on for a bit. The Queen of Hearts:



Pencil and watercolor.

And finally, the piece I have been working on for the Amanda Palmer Tarot deck. The Seven of Wands with inspiration drawn from Amanda's song, "Astronaut":



I really do love working in charcoal. The flexibility and texture allow for so many happy accidents. Such as a random accidental brush turning into the milky way wrapping around a figure.

Portraits! Get your Portraits! Tiny, adorable Portraits!

So I've been teasing a few of you the last couple days about my new project that I'm hoping will excite people and maybe evolve into something really fun. SDCC was a great experience, as always and one I wouldn't give up for the world. Alas, it has left my funds dreadfully depleted and so I am trying to be creative instead of , you know, panicking or holding up the local coffee shop. (Guerilla coffee- your time is coming. All you hipster bloggers with teeny laptops should fear)

Here's how it starts:

Some heads inspired by some favorite faces from films:


Getting a little creative with some. First guy based on Rufus Sewell needed some wind. And Amanda Palmer's cool hair made me just want to make it bigger, until she became a sexy gorgon. Perhaps Medusa killed Amanda Palmer?



Then I worked on some of my friends. The top two are the amazingly talented Kurt and Zelda of Teetering Bulb and the bottom two are Gregory Manchess and Michael Kaluta- two amazing and generous artists and friends. I really went for likeness/personality in these and am quite happy with the results!


All of these are 3 inches by 3 inches on Canson watercolor paper.

So here's what is going to happen. I am going to keep making portraits and I am going to offer them at the amazing price of $25 each, plus $2 for shipping anywhere in the US. That is an original work of art for only $27! Holy cow! Not only that, but I will sign and title each and maybe even write something fun on the back just for you as a surprise.

But wait there's more.

Are you looking at these and thinking, well these are nice enough and all- but I don't really know any of these people? Well how about an original made to order? That's right- I am also taking requests. Send me a decent photo of someone. Anyone. And I will paint it up for you. Same price. You can even pick favorite colors if you want. Now there's a birthday present that will make people talk! Order in the next few days, and I will have your painting done and in the mail within a week.

Email me to start your own collection of Carroll originals or with any questions at Kristina (at) KristinaCarrollArt.com