Spectrum Fantastic Art Live! A slightly belated post.

So- this is long overdue but Spectrum was awesome and deserves some more attention, even though it was nearly two months ago. (what. It's finally been sunny in New England and I need Vitamin D)

The first couple years I went to Spectrum as an attendee. This was great because I got to see everyone and go to all the panels and stuff. It also means I got to do some recon before actually making the plunge as an exhibitor. This year, I wanted to try out this whole table thing finally and see what happened. It was a lot of fun- I met a ton of new people that I probably wouldn't have met if I was just going around and finding everyone I already knew. And most of the people I knew stopped by to say hello anyways. Spectrum is also such a good community that if I wanted, I felt completely comfortable leaving for a while to walk around or do/see a panel or two. Affordable and friendly, it was a good choice for dipping my toe into the solo exhibitor ocean. Having the smart and savvy Scott Bakal around  out was also a huge help.

It's me!
Photo by Tara Larsen Chang

Quick thoughts on a having a table for the first time: 

  • Do your research. Find out what sort of show/audience it is, what sells and what doesn't. Look at pictures of other people's booths. Email them, ask questions. I got so much good advice both before and during the convention- it was a terrific learning experience.
  •  Everything I read said bring less than you think you need, especially for a first con. Marketing says fewer choices yield more sales. With that in mind-  I still brought too much especially knowing Spectrum is not a buying crowd. I had limited choices- which was good (basically all my sales were two images) but still brought more than I needed in quantity of prints for example. 
  • Placement counts. I was very lucky to get a"sidewall" artist alley table. Traffic and visibility was great for us- but after seeing the rest of the traditional artist alley set up, I won't take the chance again and will invest in a booth. Much better for welcoming people in to look at the art and presentation. At this sort of show, where most of the reason you are there is to show to other professionals, the odd collector and make connections, presentation makes a difference. 
  • Just like portfolios- show the sort of work you want to do more of. I didn't sell a ton but had commission inquiries  based on what I brought. It also gave me the opportunity to show some work that wasn't traditional portfolio stuff  but that I loved and got some good attention.
  • Engage. Stand up, smile and chat. If your voice isn't hoarse or gone by the end of the convention, you're doing it wrong. Try to avoid having a table barrier between you and people unless your chief traffic is signatures or sketches. If you are going to draw- try to do it in an engaging way  (outside your booth or standing in a way that welcomes people to watch and ask questions) so people don't feel like they are bugging you if they want to say hi. 

Fantastic Women panel


Courtesy of Spectrum Fantastic Art Live

I am very grateful to Winona Nelson for including me on this panel. She asked some great questions and gave some terrific insight. There were some smart ideas and questions. We got a lot of positive feedback and continued discussions after. My biggest regret is that we only had one hour- as this conversation clearly only touched the tip of the iceberg. Sooo much to be said about that panel, but it's being worked up for a recap and follow up by the community so for now I will just mention some brief thoughts:
  • I was worried that we'd be preaching to the choir but there was a healthy mix of both men and women in the audience. That made me very happy. 
  • There is no single way to be a woman in illustration. Even with our small panel of intelligent, thoughtful women, we had a variety of opinions and experiences both good and bad. It was worth noting that none of us had children though- and that was a POV that needed some more representation.  The general consensus from the crowd was that having a supportive and reliable partner was paramount to doing both art and family successfully.
  •  Rebecca Yanovskaya made some great comments about being a working illustrator putting it in perspective with women's roles in our society. Mainly: Illustration is a job. Mothers work all the time, so why can't that work be illustration. I think there's a lot more to be said on that subject but it's an important idea. She also talked about how it's often hard for women to feel confident in their choice of subject matter and finding their own voice in this field because of the stereotypes that still exist.
  • Zoe Robinson is one smart cookie and is a great gift as an AD on some high profile properties with Fantasy Flight. She's always thinking about how women are represented in the genre and pushing for smarter choices regarding characters in her work. She often has to fight for fair representation and sometimes educate others why a particular idea might be sexist or insensitive.  She doesn't back down from the hard questions and is very thoughtful. She made a really good analogy that, as women generally we are starting at a lower level than our male counterparts and have further level-ups before we're taken seriously.
  • Camilla D' Errico is thoughtful, funny and confident. Proof that having a great attitude about your capabilities and options goes a long way. She, like me, has had very few negative experiences related to being a "female artist".  Mostly guys thought it was neat that we liked "guy" things like comics and games and we had some very good mentors who were men. (though I don't think either of us had a lot of female influences early on) She brought up one of my favorite quotes by George R.R. Martin. He was asked, "There’s one thing that’s interesting about your books. I noticed that you write women really well and really different. Where does that come from? " Martin answered: "You know, I’ve always considered women to be people."
  • Annie Stegg is an amazing artist and unbelievably sweet and humble to boot. She talked about being hired as an artist at a company partly because they needed to broaden their perspective and get a woman's input. It's great that companies are starting to realize their shortcomings on this matter (or not. Ahem Ubisoft)  Still,  I look forward to a time when women are not considered a novelty both in the creation and in representation of the field. 
  • Winona Nelson also had some input on being sort of a lone wolf in a company. She discussed both overcoming the barriers we create for ourselves (envisioning struggles that don't end up actually being a big deal) and the real barriers such as having to to fight to get her own bathroom. (the guys had commandeered the ladies room as well and didn't want to give it up).
  • There is is still a long way to go on this subject and it helps no one to be ignorant about it. My eyes were opened to a few things that I was not aware of  about how women are treated and perceived in this industry still. The thing is- this it not an isolated trend and is indicative of a larger cultural problem that still needs addressing. Much of our obstacles as women creatives come from our culture but they also come from the barriers we erect for ourselves in response to our culture. I think as purveyors of imagination- we as fantastic artists hold a great responsibility in regards how we want women (and all "minorities" for that matter) to be treated.  Change grows from imagination. 
Courtesy of Spectrum Fantastic Art Live

Courtesy of Spectrum Fantastic Art Live

All in all- even though I didn't sell a ton,  it was still a good experience.  I always forget to take pictures at these things but here are a few good moments.
With Cynthia Sheppard

With Brynn Metheney

Shady KC BBQ at Jack's Stack with a bunch of shady artist folks.

Blue-Green Beauties
Zoe Robinson, Lauren Panepinto, Clark Huggins, (Lucky guy!) Rebecca Yanovskaya

Too much fun is a good thing.
Travis Lewis, Dawn Carlos, John Brassil
You can check out even more of what happened (and see me a few times too!) in these cool recap videos:



I even got a fancy professional artist photo taken by Greg Preston! He was hired by Spectrum to to a series of these and they came out gorgeous. You can check out a bunch of them on his blog here: http://www.sampselprestonphotography.blogspot.com/2014/05/spectrum-fantastic-art-live.html

Photo by Greg Preston for Spectrum Fantastic Art Live
Alright- that's plenty for now. See you at next year's Spectrum! 

Spectrum Live! New art, panel info and table info!

It's time for Spectrum Fantastic Art Live again! And this year I have finally broken down and got a table. To celebrate, I have created a few new original oil paintings that I will be debuting there this weekend:

Blue Mage
Oil on Panel
5 x 5

Dragon Mage
Oil on Panel
 6 x 6

Fae Mage
Oil on Panel
5 x 5
In addition to my new art, I will be displaying a few other originals as well as selling some prints of some of my favorite pieces.



Minotaur
Oil on Panel
16 x 20

Grey Widow
Oil on Panel
6 x 6

Blue Assassin
Oil on Panel
6 x 6
Ascend
Oil on Panel
5 x 5

Dragonslayer
Charcoal
18 x 24
 I will also be selling prints of Dragonslayer, the Minotaur and House of Leaves below including a few others.
House of Leaves
AAAAND if that weren't enough- I am also going to be participating in the Fantastic Women panel Saturday at 2pm. I was very honored to be asked to join this panel and am very much looking forward to the conversation. Here is the info:

Fantastic Women! [room 2505 A&B] 2pm — 3pm 
Illustration & fantasy art used to be a male-dominated industry: has that changed or are their still challenges woman artists face? Winona Nelson [M], Rebecca Yanovskaya, Annie Stegg, Zoë Robinson, Kristina Carroll, Camilla d’Errico discusse the good, the bad, and the ugly of working in today’s marketplace.


So please come find me and say hello, buy something or just sit down and draw with me a bit! I will be at Table 17:

White as Snow

No one knew what the Queen whispered in her ear before she fled into the woods with the Huntsman; but as the Princess disappeared into the trees, her hair turned from inky black to white as snow...

White as Snow
Oil on Panel
16 x 24

 This is a painting that has been on and off the easel for a few months now, getting attention between other projects. I'm happy to finally share it with some process! I started with a digital rough for this one- just playing around with shapes, value and a bit of color. I did a lot of studies of my photo reference and tried to use the photographs a lot less than usual to keep a little more movement in the piece.














Ascend I - Small portrait

Ascend 1
Oil on Panel
6" x 6"
Here's another one of my quick, small portrait studies. I love taking a break to do these in between larger projects. It gives me a chance to experiment and relax the mind a bit.

The Minotaur


The Minotaur
Oil on board
16 x 20

A while ago I was invited to contribute a piece to the first volume of the Fantasy Illustration Library by Michael Publishing.This high end art book will explore mythology from all over the globe with hundreds of new works of art. Not only was I thrilled to join the ranks of over 100 terrific artists (such as Donato Giancola and Michael C. Hayes) and but it gave me the opportunity to explore a character that I've been wanting to paint for a long time: The Minotaur.

Excerpt from the book:

I’ve always been drawn to stories involving labyrinths so naturally I love the Minotaur myth. I feel empathy toward the Minotaur. I see him as an innocent suffering for the sins of his parents and the whims of the gods. His story is usually overshadowed by the hero tale of Theseus where he is the lowly monster at the center of the maze to be defeated. However, the Minotaur is half human and was raised briefly with his human family so couldn’t have been all beast when he was imprisoned in Daedalus’ Labyrinth.  I imagined him as a king over a lonely domain. His human half craved beauty and so he taught himself to carve to pass the time. Many hours were counted in spirals carved into the stone and the walls became covered in years as he made his prison beautiful.

I spent some extra time getting reference for this piece since I knew I wanted the lighting to be very atmospheric and was dealing with some uncharted territory in the anatomy and some of the architecture ideas. Getting a good model (the amazing Dennis!) and taking a quick hour to build a small maquette and light it made all the difference.


One of many pages of thumbnails
One of many photos of Dennis from the photoshoot

Clay model approx 6 inches high



Some preliminary studies to prep for drawing
Preliminary Charcoal drawing
16 x 20
Digital color study

Final

The Man with Green Eyes for Creepythread

The Man with Green Eyes


Last month I got an email from Jensine Eckwall and Peter Schmidt about a book they are putting together revolving around the internet scary story phenomenon called Creepypasta. I love scary stories and the internet-so how could I say no? The /CREEPYTHREAD book will debut at MoCCAfest 2014 along with Brooklyn Zine FestTCAF, and SPX.

After reading tons of these scary shorts, I came upon The Man with Green Eyes and knew it was the one I wanted to do. It's got elements of myth and the supernatural and the character intrigued me Most importantly,  I saw an image in my head that felt like fun to paint.  Here is my version of the story:

The Man with the Green Eyes

There is a road near the Everglades in Florida which you will only end up on when lost. There is no cell service, your radio will turn to static and your map will have mysteriously vanished.

Driving forward, you will find that you can't turn around and everything behind you is dark. You will come upon a crossroads with no signposts. In the middle there will be a man, covered in various pieces of cloth. Only his eyes are visible, which are bright green.

There are a very specific set of rules you must follow in order to survive an encounter with the Green-eyed man. In the end, you must kneel before him and offer him your loyalty. If you do this, he will close his eyes and bow in return, extending a hand to whichever path will lead you back to safety.

You can read the original story and many others here.

Check out some of the other awesome art for the book at http://creepythreadbook.tumblr.com/

Fear, Love and Art Order


Inspire
 1. Fill with the urge or ability to do or feel something, especially to do something creative:
2. To cause (something) to happen or be created
 from the Latin inspirare 'breathe into',

In October I hosted another month-long art challenge blog called Month of Fear with over 20 artists contributing. There was a ton of tremendous new work from everyone and I created some of my favorite work of the year as a result.

As it happened, Month of Fear coincided with an exciting contest hosted by Art Order called "Inspiration". Ok, so the truth is, it was not really a coincidence. The Art Order Inspiration challenge was actually a huge  incentive for following through with MoF. October was always my first choice for another art challenge BUT it was shaping up to be a very busy couple of  months. MoF very nearly didn't happen because I was already feeling a bit overwhelmed. However, wanting to push myself not only to  create something for Art Order but ready for another creative work-out like Month of Love , I found myself lying awake one night thinking things over. Suddenly a bunch of challenge ideas sprung into my head.  I turned on the light, wrote them all down and got really excited. The next morning, before I could talk myself out of it, I sent out an email to my trusty Month of Love family and a few more and we were off! There is nothing like the pressure of hosting an art challenge to silence excuses.

I've combined all my challenges with their original text below. I love charcoal and have been looking for an excuse to do more with it. Each piece was done in only a day or two (mostly weekends between teaching classes all week, other art and visiting family) so beyond all else, I am very proud of myself just for pushing my finishing speed/output. I'm particularly happy with challenge 2 (Passage) which was an image I've had in my head for a while but never got right until now and number 5, (Equinophobia) which was so much fun to play with in regards to texture. But it was number 3 (House of Leaves) that pushed me through a little conceptual wall and out the other side and a very satisfying way. It was the challenge I really wanted to do the best with, because the I have such a love for the subject matter. Often as an artist, the more you are attached to a subject, the harder it is to visually do it justice. This time,  however, things seemed to line up. The resulting image is not only one of my favorites of the year but it won a place in the ArtOrder Inspiration book!  Have a look at the other winners- what an amazing line-up. I am thrilled to be a part of it.

Now on to the present for a moment. I am excited to announce that due to popular demand,  Month of Love is going to run again! We now have even more amazing artists joining the line-up and this year is going to be even bigger. We liked the MoF format with the longer challenges and staggered posting system, so we're going to be adopting that for MoL.

On top of that, we have some  ideas brewing for our  art from these challenges.

So get ready- February is going to be a ride!  Follow us on twitter for updates and stay tuned! https://twitter.com/MonthofLove

Without further Ado- The Month of Fear:

Challenge 1: What Lives Under Your Bed?


Sub/Conscious
18 x 24 Charcoal
It's funny how many artists have trouble sleeping. I have rarely had that problem. I do however have a very vivid dream-life and a lot of anxiety so my sleep is too often full of activity. All the things that might keep others awake at night follow me into sleep and transform into every manner of nightmare.

Sometimes I wish I had insomnia.


Challenge 2: What is Your Recurring Nightmare?
Passage
18 x 24 Charcoal
I used to dream of flying all the time. I still do occasionally...but it's different now.When I was younger, it would be free and controlled. I would zip around, land on rooftops to watch people or sometimes even become a hero with magical powers. However, as I grew older, the dreams started to change. I had to concentrate a lot harder to fly or I wouldn't be able to control my speed and go up way too high then start falling or get stuck somewhere, having forgotten how to get started again. Then there were the wires. It would start fine- I would be flying great, ready to soar above the city and go wherever I wanted but suddenly there was a set of telephone wires in my way. I would try to go around but there were more. They were everywhere. At last, I try to go between them but I quickly get tangled up.

The worst part is when they start to electrocute me.


Challenge 3: Do an illustration for your favorite horror story.

House of Leaves
18 x 24 Charcoal
 I read House of Leaves by  Mark Z. Danielewski a few years ago and it is not only one of the best "horror" stories I have ever read, it is one of the best books I have ever read. I have always been drawn to labyrinths and everything about this book is a labyrinth.

It's very difficult book to describe. There are multiple narrators, each with individual stories, who peel back layers of a core story: a family moves into a house where things immediately start going strange. Its clear this more than just a house. A black closet appears out of nowhere and it is discovered that the house measures larger from inside than out.  Then a hallway appears that eventually leads to a massive underground labyrinth. Characters attempt to explore and then things get really interesting for not only the family, but each narrator that in turn attempts to uncover the truth.

 But all this isn't really just a book... It's more like a three dimensional work of interactive art. The way the book is written is very unconventional. The words on the page are often rearranged to reflect something happening in the story. Sometimes it's the madness of a character. Sometimes it's the speed in which you follow someone down miles of stairs. Sometimes it's the passage of time. It's often hard to follow but when you finally solve the puzzle of how to read a passage, it is that much more intimate and rewarding a story.



 
Challenge 4: What Terrified You as a Child


Run
18 x 24 Charcoal
Growing up, nearly every place I lived in had multiple floors and several of them required me to climb or descend stairs in order to get to and from my room either on a second floor or a basement. Even my ancient grade school had several floors with trembling creaking wooden stairs that I had to use to get to the bathrooms next to the creepy boiler room. While the worst stairs were always any basement stairs (obviously), pretty much any stairs seemed to trigger every scary story I had ever heard up to that point. Going down them was like a slow decent into inevitable horror- I knew something was going to be waiting down at the bottom.  (Especially when my bedroom was in the basement and I would go to bed after watching Unsolved Mysteries. ) Going up stairs, I was always being chased. Even now I occasionally have to feed the compulsion to run up stairs instead of walking.

Challenge 5: Pick a Phobia and Illustrate it:


Equinophobia
 There are so many interesting phobias out there. Fear of Gravity (Barophobia), Fear of Beautiful Women (Caligynephobia.)... More obscure and one could argue more interesting than the Fear of Horses. But the more I thought about it, the more I just couldn't get the  image of horses out of my head. Between Henri Fuseli's Nightmare horse and the familiar Carousel Horse (why do they always look like they're terrified and screaming?), this one needed to get exorcised. A bit rushed due to a very busy week but I think it does the job nonetheless.

Challenge 6: Illustrate a Halloween memory or write your own scary story to illustrate.



The Face in the Window
18 x 24 Charcoal
The Face in The Window
(A quick Halloween Story and Illustration by Kristina Carroll)


 "Three in the morn. The soul’s midnight. The tide goes out, the soul ebbs. "
-Ray Bradbury from Something Wicked This Way Comes

She lay in bed staring at the ceiling. She could probably move if she wanted to.  She tried to tell herself it was only that she was afraid to wake her husband, not that there was a larger dread lurking at the edge of her vision.  A growing certainty should she turn her head toward the window, there would be something there and the moment she saw it,  acknowledged its existence,  was the moment it would be free to attack.

She turned her head toward the window next to the bed.

A face stared back at her from outside.

She woke up with a start. It was 3am. Again. 

The woman stared at the ceiling for a few minutes but knowing she wouldn’t get anymore sleep that night, rolled out of bed and walked to the living room. She sat on the couch, glanced at her desk in the corner, with its piles of hand-written outline notes and a few chapters stacked around it on the floor. She turned on the TV and sighed. 

The dream had started a few months ago. It was always the same: paralysis, fear, look, face in the window, wake, 3am. It didn’t matter how many times it happened, it was always new in the dream. It was always the same fresh terror. 

The worst part is that it was happening with more and more frequency.




When the sun came up, she made coffee and breakfast for her husband. She told him she’d had the dream again. Wasn't it weird that it was always 3am? He said she shouldn't read too hard into it and asked if she’d gotten any writing done while she was up. She looked down and stirred her coffee.
What was the point of having Insomnia if you can’t get anything done?

It had been nearly three months, he said. Maybe she ought to start looking for something part time at least.  Then he kissed her on the cheek and was out the door.

She sat at her desk and stared at her notes for a while. She rearranged a few sentences but soon the words began to blur. She yawned, went to the couch and fell asleep as soon as she closed her eyes.
The door slamming jolted her awake.  Her husband was staring at her from the hallway and it was already dark outside.  She cleared her throat and asked if he wanted her to order pizza.

She lay in bed staring at the ceiling, trying to move. Finally she was able to turn her head toward the window next to the bedA face stared back at her from outside. A hand pressed up against the glass.

She woke up with a start. It was 3am.

She spent the morning running errands. She bought a new notebook thinking that she just needed to work on something completely new for a few days to shake her out of her current block.  When she finally got home, she found that she needed to make room for the new groceries and while she was at it, she should probably clean the fridge too.  The notebook lay forgotten on the counter.

She began to make a nice dinner even though she knew her husband was going to be late coming home from work. That had been happening more and more these days as well. He would joke that having a creative wife was an expensive luxury.  She took some pasta from the stove and turned toward the sink to drain the water. She glanced out the window above the sink briefly and then dropped the entire pot on the floor. The shock had forced her to look down and jump back from the scalding water but she immediately snapped her head back up to the window.

There had been a face. She was certain of it.

Trembling, she leaned across the sink to look into their large backyard.  It appeared empty and even if there had been something there it would have tripped the motion sensor lights. Even a large mouse would trip those.  It was probably just the lack of sleep and her own reflection in the glass. Still shaking, she began cleaning up the mess.

A face stared back at her from outside the window. A fog bloomed on the window from its dark mouth.

She woke up with a start. It was 3am.  She stared at the ceiling and waited for her heart to slow as her husband snored softly.

She went into the kitchen to make some tea and found the bowl she had left out for her husband still on the counter.  She hadn’t even noticed him come home, it had been so late. She tossed the contents into the trash and put the bowl in the sink.

They had a dinner date with friends the next day. Their friends commented on the dark circles under her eyes and said she seemed a little bit jumpy. Still, they were very proud of her for being so brave and following her dream. They asked when they could read something from the new book. Soon, she’d said. It’s getting there. Her husband ordered them a third round of drinks.

Empty eyes gazed out of a pale face and a hand pressed against the glass, leaving streaks as it slid slowly down the pane.

She woke up with a start. It was 3am.

She was sitting on the floor staring at the half-empty pages of notes strewn around her when her husband finally woke up. Red-eyed and slightly hung-over, he grumbled something from the hallway and she said she would make breakfast while he showered.  As she stood and stretched, she saw movement out of the corner of her eye and spun toward the window. There was nothing there. Probably just a bird outside, she told herself but when she looked down at the glass, she thought she saw a fading hand print for a moment. Then she blinked and it was gone.

 Knowing her husband was running late, she wrapped up his breakfast and put his coffee in a thermos. As he grabbed both off the counter, he told her she shouldn’t have let him sleep in. Now he would definitely have to stay late tonight. Don’t wait up. His lips missed her cheek as he swept out the door.

Dark lips slowly opened and closed in its white face and soft hissing sound began to emerge from the mouth.

She woke up with a start. It was 3am.  She was alone in the bed.

She must have eventually fallen asleep again because she woke once more to the sound of the shower and smell of burnt toast. She stayed in bed until she heard the door slam and the car pull out of the driveway.

On her way to the store, she turned the radio up louder than usual and tapped her palms aggressively on the wheel to tinny pop-music. When the station suddenly began hissing static, she reached for the tuner but a something made her glance up at the passenger window.  

A pale face with a black, gaping mouth and hollow eyes stared back.

There was a loud crunching sound and a jerk and that snapped her head forward. She had rear-ended a large SUV in front of her. Shaking, she opened the door of her car to the sounds of shouted curses and pointing fingers.  The left, front side of her car had folded like an accordion. The SUV barely had a dent. Still, all she could do as the policemen and tow trucks did their waltz around the scene was to keep glancing at the window of her car, looking for evidence she knew she wouldn't find. In the taxi, she kept her eyes resolutely down at her hands for the entire ride.

When she finally got home that evening, there were shouts, accusations and slammed doors.  She lay in bed alone all night and would not sleep. Even with her back to the window, she felt a cold dread like breath on her neck daring her to turn around.

The next day she sat at her desk staring at blank pages until the shadows grew long outside. She saw movement out of every sideways glance and in each mirror she was certain that it was not her own face that stared back at her at first but the haunted, gaping face from her dreams. When the skies began to darken, she turned on every light in the house and closed all the curtains. She drank so much coffee that her hands shook but eventually her eyes got too blurry and her limbs got too heavy to fight.  She stumbled into her empty bedroom where she collapsed without turning off a single light.

She woke with a start. It was dark in the room and it was 2:59.  That felt wrong but she couldn't remember why. She shivered.   Her mind was slow and her vision fuzzy as she turned over and then immediately realized why she shouldn't have. Her senses suddenly sharpened as she gazed toward the window.

The black mouth made gulping motions like a fish. Dark, hollow eyes stared back from a pale face. A bone-thin hand reached up slowly, grasping.

And it was no longer outside.

She woke up with a start. She was standing outside but didn't know how she’d got there. It was dim and cold. She was next to a house and there was a dark window by her head. Disoriented, she did the first thing she could think of to get her bearings. She pressed her hand against the glass of the window and peered in. As her gaze traveled around the room inside, an icy chill crept over her. It was a bedroom. It was familiar. Her eyes wandered from the sleeping figures in the bed to the nightstand.

The clock read 3am.

The woman in the bed opened her eyes. 

Holiday Card

I decided to do a little experimenting with my holiday card this year. I've been seeing so many artists I love doing neat things with adding metallic leaf to their work that I had to give it a try. I also wanted to see what would happen if I started with a watercolor under-painting and then do a little work with oil on top. (partly for speed and partly to play with texture/translucence) There was a lot about this experiment that I really liked and I can't wait to do it a little more. It's a difficult effect to reproduce (I tried to replicate it somewhat with an animation at the bottom) but I love the quality of the original.

pencil drawing

watercolor layer

Bouquet 1
watercolor, oil and silver-leaf on paper.







Neil deGrasse Tyson


charcoal/digital
Neil deGrasse Tyson is simply one of my favorite human beings. The joy, passion and eloquence with which he discusses (and defends) science and astrophysics makes me grateful we share stardust. I've had this charcoal drawing floating around for a bit and decided I needed to toss some pixels onto it and share.

I am so so SO excited for his sequel to Carl Sagan's Cosmos next year:


(if you don't get chills watching this, we can't be friends)

Flux

"Flux"
6 x 6 oil on panel 
Another quickie oil sketch that I ended up liking. Maybe she wants more work, maybe she doesn't. But no matter how she ends up, sometimes those "in between" moments are fun to linger on.

I am working to get to a place of confidence where I can bring in some more of that "in betwee-ness" to my finished work. I think many realist painters end up going through something similar. I love the way it looks when done right- it brings an "alive-ness" to the piece and creates more of a dialogue with the viewer. Artists Like Jeffrey Catherine Jones, Rick Berry, Greg Manchess and Jeremy Mann do it beautifully.

I tell my students: Good art is as much about what you can leave out as what you can put in. And the first one is much, much harder to do well I think.

Amanda Palmer Tarot- The Seven of Wands

Some of you may have already heard about the Amanda Palmer Tarot Deck, it has been in the works for years now. Now the deck is finally going to see the light of day and I can share what I did for it! Thanks in large to Madeline Carol Matz, who started rallying the 78 or so amazing artists in earnest (no easy task!) and organized a kickstarter to get it properly off the ground, this deck is now happening in a big way! There are still a few weeks to get your own deck, so check it out and help us exceed our goal even more. The more this gets funded, the more the artists get paid!
Digital

The initial instruction way back when this assignment was first given was to base the card off a particular song. I always loved  Astronaut, from her Who Killed Amanda Palmer series and when I read the description of what the Seven of Wands stood for, it seemed a perfect match. For me, this song was about the people who are simply destined for greater things. You've met them.They have a little extra spark, they don't seem to have any fear and don't worry about failure. They are the mad geniuses who come along and shake up their corner of the world. The Prometheuses, the  Übermensches. These are the people who make a lot of sacrifices and may give up a little of that human connection because they are so focused on doing something a little bit larger than life. They are magical and terrifying and we flock to them like moths to a flame.  Astronaut is the the song of the Moth.

I wanted my image to embody to that very human desire to steal fire from the gods.  While everyone has some capacity for this,  I think this is something especially familiar to artists. The creative struggle is long and hard and full of obstacles. Whether it's the people around us who are standing in our way  or own personal demons, it is an unending battle. But it's a battle worth fighting if, even for a moment, we get to touch a little fire.


Seven of Wands from the Rider-Waite Tarot deck
From the Wiki page for the card : "The Seven of Wands is a card that when upright, means a testing time calling for courage and tenacity for long-term success. In the Rider-Waite deck, the person braces themselves in a defensive pose against the other wands prodding in his direction. Looking strained and stressed, but standing firm, he appears to stand on a hill, or straddle a mountain range, to symbolise his strong footing. The Seven of Wands defender stands ready for battle. It is about defending the footing gained. It is the ability to cultivate the struggles at hand into a stronger position. He stands alone against a multitude, but perseveres. It is he alone who maintains the fight and is not beaten."



"Astronaut"
music and lyrics by Amanda Palmer

Is it enough to have some love
Small enough to slip inside a book.
Small enough to cover with your hand
Because everyone around you wants to look

Is it enough to have some love
Small enough to fit inside the cracks
The pieces don't fit together so good
With all the breaking and all the gluing back

And I am still not getting what I want
I want to touch the back of your right arm
I wish you could remind me who I was
Because every day I'm a little further off

But you are, my love, the astronaut
Flying in the face of science
I will gladly stay an afterthought
Just bring back some nice reminders

And is it getting harder to pretend
That life goes on without you in the wake?
And can you see the means without the end
In the random frantic action that we take?

And is it getting easy not to care
Despite the many rings around your name
It isn't funny and it isn't fair
You've traveled all this way and it's the same

But you are, my love, the astronaut
Flying in the face of science
I will gladly stay an afterthought
Just bring back some nice reminders

I would tell them anything to see you split the evening
But as you see I do not have an awful lot to tell
Everybody's sick for something that they can find fascinating
Everyone but you and even you aren't feeling well

Yes you are, my love, the astronaut
Crashing in the name of science
Just my luck they found your upper half
It's a very nice reminder
It's a very nice reminder

And you may be acquainted with the night
But I have seen the darkness in the day
And you must know it is a terrifying sight
Because you and I are living the same way

The Frog Queen's Revenge

Earlier this year Jim Burke asked me to contribute a piece to the Dellas Graphics Frogfolio. If you've never heard of it, basically it's a calendar featuring all frog-themed illustrations. Some of my favorite artists have been included in this showcase (Victo Ngai, Sam Weber, Yuko Shimizu, the list goes on. Leigh Guldig did the cover illustration) and I was thrilled  to be asked.

Almost immediately I knew I wanted to do something around the old Brothers Grimm story of the Frog Prince (read here if unfamiliar). I never really liked the princess in this story- she's sort of a brat. I thought, what is the story that isn't getting told here? With this seed planted and many sketches later, I discovered what I wanted to do: a sequel.

Because I create better when I have a solid story, I kept  fleshing out details of the sequel in my head as I worked out the image.  I realized I quite liked this character. I not only wanted to paint her, I wanted to tell her whole story. So after I finished the painting,  I sat down and wrote it out.

So here you are: a brand new painting and some Grimm Brothers fan-fiction to go along. I hope you like it! There are some notes on the process at the end.

16 x 20
oil on panel

The Frog Queen’s Revenge
by Kristina Carroll

When the large, ugly frog that had followed the little Princess up from the forest turned out to be an enchanted Prince, the Kingdom rejoiced. What a handsome Prince! What a rich kingdom he’s from! What a lucky girl to break the spell! There were lavish feasts and colorful parades. The well in the dark forest behind the castle where the frog had lived was even given a shiny bronze plaque.

 The King had been especially pleased. The Princess may have been a bit too young to marry, but she was near enough. It was no secret that the Kingdom was no longer rich and the King had very little to offer in the way of dowries. The chance to send the girl off with just a small corner of land and a new, powerful family member was more than he could have ever hoped for. Thank goodness for witches! He’d thought. The bond that comes from spell breaking was sacred and absolute. Though the Princess was already quite beautiful for one so young with golden hair and a rosy mouth, beauty did not win wars or pay for roads. The King knew that all too well. Breaking the Prince’s enchantment was the only way the little Princess could have ever made such a rich and powerful match.  The King now thanked the good fortune that had led the Frog to their castle that night.
At first, when the slimy thing knocked on the door of the castle saying the Princess had made a deal with it, the King had been red with anger and beat the Princess. She tearfully admitted to going down to the well to play with her favorite toy: a little golden ball that had belonged to her mother. She’d been playing too close to the edge, peering down into its depths, when suddenly the frog jumped out at her. Startled, she dropped the ball and watched it disappear into the darkness.  The Princess thought of how angry her father would be at her losing the precious toy and was frightened. She could only say yes when the frog offered to retrieve her ball in exchange for a promise to bring it to the castle as her companion. However, when it returned and she was faced with carrying the ugly creature back, she grew scared and ran away.
                 Normally the King would have simply stepped on such a disgusting thing, talking or not, if it came knocking on the door claiming a debt owed. However, the King thought it a very clever punishment to make the frog eat from the girl’s plate and then send it off to bed with her. She was clearly repulsed by it.
                “When you are so careless that you need to enlist the aid of slimy creatures that crawl upon the ground, you have earned no better than to share your bed with them.” The King growled as the Princess sat weeping on the stone floor and wiping a bleeding lip.  “We are royalty, child! The source of our power defines us!”

Clearly fortune had rewarded the King’s wisdom and good sense. He never did ask exactly how the spell had been broken, he didn’t care. All that mattered was that the Princess was gone to be wed in the far off kingdom and he’d already received a very generous gift of fine silks from the Prince that he could begin trading.

◊◊◊

When the young Princess arrived in the Frog’s kingdom, (for in her mind, he would always be The Frog) she was terrified. The customs, language, dress and even the weather were all alien to her. She was utterly alone apart from an old, one-eyed handmaid that was given to her. And when her wedding came, she spent the first of many nights silently sobbing on her side of their bed.

The Frog may have changed his form, but it was soon clear he was still slimy and was not kind. His father, the old King, was blind and useless so the Frog Prince was ruler in all but name and wielded his power cruelly. She wished she could once again throw him against the wall of her bedchamber like she did that first night he’d crawled, slippery and cold, into bed with her. She fantasized about the violence turning him back into the little wet creature and then ripping off his legs to be fried for her supper. (The Princess had found a delicious irony that frog legs were actually a delicacy in this Kingdom and ate them whenever she could.)

                When the Princess woke one cold, winter morning with red on her sheets, she was certain she was dying. She sat shivering and horrified as her old handmaid explained what was happening and what it meant.
                “Don’t be afraid, little bird.” The handmaid had said with a soft voice and a spark in her good eye as she stroked the girl’s hair. ‘Little Bird’ was the handmaid’s nick-name for the Princess: ‘Because all Princesses are little birds: pretty things in pretty cages.’  She was old and strange and spoke in riddles most of the time, but she had helped the Princess learn the ways of the kingdom and was the closest thing the girl had to a friend.  The Princess had asked the handmaid once how she lost her eye, but the old woman had just smiled.
                “Don’t be afraid,” the handmaid repeated, “for now the little bird has the power of life. This is a very strong power and it is only for the little birds. ”
                The Princess didn’t fully understand what the old handmaid had meant but for some reason her father’s words came back to her then: The source of our power defines us.

This secret could not be kept from the Frog and he became gentler for a time. Yet when the seasons came around to winter again and her belly still did not swell, he grew colder. Then the Frog’s old, blind father died. The Frog Prince and Princess were to become Frog King and Queen soon.  Finally the Frog turned from cold to hot with anger.  He came to the Princess’s chambers one day in a rage and threw her to the floor. He told her that spell-breaker or not, if she would not give him a son, he would have her thrown in the dungeons and forgotten.
    After the Frog left, the old handmaid helped the Princess rise off the stones. The girl looked through unshed tears at a canary in its elaborate gilded cage, a gift from her handmaid. It was still flitting around in agitation from the excitement.
                 “Grandmother…” The Princess began, using the endearment she had adopted for her handmaid in private, “Little birds have the power of life, it’s true. Our canary here has had many chicks. But do they not also have sharp beaks? I still have a scar on my hand from when I tried to take out one of her eggs to look at.”
                At this, the corner of the handmaid’s mouth turned up a bit and with a strange glint in her eye she took the Princess’s hands in her own. She looked very hard at the Princess for a long time, until the girl grew afraid. When she tried to break away, the old woman’s grip was iron.
                “Yes. You are ready I think.” The handmaid said finally. Then she began to tell a story. The Princess’s eyes grew wide first in surprise, then fear and finally, hunger.

                The handmaid told of a Prince who was spoiled and cruel. He liked to torment the servants, especially the girls. When a particular young handmaid fought back, scratching his face, he had one of his soldiers hold her down while he cut out one of her eyes with a knife. He kept the eye in an amulet around his neck as a warning to anyone else who might defy him. However, the young handmaid only grew strong in her anger and so she sought out a witch to teach her of those secret magics known only to women. Many years she practiced and grew more powerful just as the Prince grew crueler. When finally it was time for the Prince to choose a wife, the handmaid was ready with her magic and cast an enchantment.  The Prince chose a Princess, beautiful and rich, from a far off kingdom. However, when he took his new wife to their bedchamber on their wedding night and closed the door; she suddenly turned into a rotting corpse. His screaming brought the guards but as soon as others were beholding the girl, she turned beautiful again.  Certain of some dark magic, he had his wife thrown in the dungeon and married again. Once more, as soon as he took his new wife to their bedchamber, she turned into a corpse. He kept trying, but every new girl, while lovely in anyone else’s presence, became rotting and putrid as soon as they were alone. At last the madness and humiliation drove him to a fit of desperation. The Prince took his knife and cut out his own eyes, breaking the spell. Finally he was able to bed his newest wife, who was plain and not from a rich Kingdom but kind and wise. When the Prince’s father died and they became King and Queen, she became the power behind the throne. She ordered all his previous wives released from the dungeons and returned to their homes. Next to the King, she ruled the kingdom well for many years.

                “Unfortunately she died giving birth to their only child. A boy. Without the Queen, the old cruelty passed from father to son and I saw the pattern repeating itself. The Prince liked to torture small creatures so I decided to turn him into one of them. The spell would not be broken until a Princess made him feel as helpless as the little things he tormented. I had hoped it would teach him a lesson, but perhaps even my power wasn’t strong enough in his case.”
                The handmaid ended her story and released the Princess’s hands. The girl stared hard at the floor for several long minutes and then straightened her back and raised her chin.
                “You will teach me.” It was not a question.
    The old handmaid looked at the Princess for a long time. Then she smiled.

◊◊◊

                Years after the young King mysteriously disappeared, supposedly on some crusade or another; the land had grown fruitful and prosperous under the Queen’s rule.  Although she may have been a bit young to be Queen, she was wise and no one missed the cruel King. Still, tales began spreading to other Kingdoms about the wealth to be found in the Kingless land, tempting those who thought to claim it.  Though many armies marched, and many suitors came, the Queen turned aside every last challenge to her power.

                 There were whispers of witchcraft, but they never became louder than whispers. The Kingdom loved the Queen and only grew richer under her rule and so, Witch or not, the people would not speak against her.
                However, the Queen did have one particular strangeness that kept the whispers from dying out completely. More than the lavish balls, the string of lovers, the eccentric fashions, it was her crown that kept the hushed rumors going.
                After the King had disappeared and she took his throne, the Queen decided that she needed a new symbol for her power as ruler.  She took an elaborate gilded cage and had it fashioned to sit comfortably on her head. It towered above her in a dance of sparkling ornament and delicate bars. Still, it was not so much the new crown itself that was unusual. It was the other thing.

                For always inside the cage, contrasting with the beautiful craftsmanship, it sat.  Looking out dolefully from two wet, yellow eyes and occasionally giving a half-hearted croak was a very large, very ugly frog.


 ◊ The End 



Preliminary Drawing
Pencil on Paper

Below is one of my early concepts that I started mocking up digitally. I really liked it but worried that the full body composition would make the frog too small. It was important he got noticed.


Some thumbnails and quick value study:



I love high fashion and try to steal from it whenever I can. Tex Saverio and Alexander McQueen are two of my favorite designers. They provided a lot of inspiration for this piece.

Tex Saverio
Alexander McQueen
Photo by Scott Bakal

Sketchbook Tourist


photo by Irene Gallo
Like most artists, I am rarely to be found without my sketchbook. I try to sketch a little from life every day, especially people. Recently, thanks to some pushing from Scott Bakal, I discovered the joys and challenges of sketching with pen. Right now I'm using a .5 black micron, but will upgrade to a portable fountain pen and/or brush pen soon. Sketching with pen has been a revelation for me, who can noodle and erase for (stupid amounts of time) and still not be happy. Pen sketching builds confidence, accuracy, keener observation and simplification. All skills I really need to improve on because, frankly, I paint way too slow for my liking.


So below is a little compilation from my sketchbook over the last month or so.  We've travelled to Kansas, Florida and New York and found plenty of inspiration.


We watched this guy hunting fish in the shallows for a good
 half hour. The way he moved and struck earned him the
 nick-name, "ninja bird".

Scott and I took a week long "do nothing" trip to Lido Beach in Sarasota, FL. I love beach sketching. Every shape of person is around you with very little on, not standing still and acting natural. To me, it is one of the best places for life drawing practice outside of a studio. Not to mention all the neat wild-life! Egrets, Pelicans, Seagulls and plenty of birds I couldn't name. 

Had a few minutes to kill waiting for the
 train in South station when we got back.
This is one of my favorite pages.



Subway sketching is one of the things I miss most about living in NYC. So many extraordinary people in one place.I can't get enough when I visit.



Scott recently got a fancy new camera and often brings it along on our walks around the neighborhood. This means frequent stops when he sees something interesting and adjusts the settings. I decided to use this as an opportunity to see how much I could capture with VERY little time and ended up having to really push my simplicity.Good art is as much about what you can leave out as put in, so this was a great exercise.




Here are a couple rogue sketches from Spectrum Live that I forgot to add. Superstar AD Mark Chiarello from DC and a quick model sketch from The Art Department's rooftop life-drawing session.

It's Halloween in July! A song and a drawing.

So one of my best friends, Lucy, who is a very skilled musician (fun fact: she is also one of the three "Wyrds") has been doing this extraordinary weekly song-writing challenge through the Ignition Lab. I've been watching with delight as every week she writes, composes and records a new song, with a new baby no less! This week was especially fun, as she got to write about one of her favorite subjects: Halloween.

It was also fun because she had an image floating in her head during the process so decided that she needed some art to go with the music. She got in touch with me and commissioned a quick Medusa sketch to go along with the song. I hadn't even heard the song yet, but on Sunday I sat down  with my charcoal, then my wacom and came up with this:
Medusa
Charcoal and Digital
And today I got to hear Lucy's song for the first time! It is fun and catchy and you should go listen too:


See all of Lucy's and the other Ignition Lab ladies ' videos here.

Grey Widow - Portrait Sketch

When I have been thinking in thumbnails/prelim drawings and color studies for too long, I like to just sit down with a couple reference photos from my library as inspiration and do a little free-form oil sketching for an hour or two. One of my favorite things to do is just make a little portrait of someone pretty. Some of them turn out terrible, some of them turn out ok and sometimes I really like them and end up seeing something I can take furthur. I would like to accumulate a good-sized series of these to show at some point. But for now, here is one of my recent favorites:

Grey Widow
Oil on Panel
5" x  5"